
Category: Language
Discover the World of Music Through Languages on NotesAndSargam.com
Music is a universal language—but the beauty of lyrics lies in the diversity of human tongues. At NotesAndSargam.com, we celebrate this linguistic and cultural diversity through our expansive Languages section. Whether you’re a beginner on the keyboard, a casual flutist, or a seasoned guitarist, this archive is your one-stop destination to explore song notations across multiple Indian and international languages.
A Treasure Trove of Multilingual Song Notations
Our Languages archive is a curated collection of song notations from various languages like Hindi, English, Bengali, Gujarati, Marathi, Tamil, Telugu, Punjabi, Nepali, and even Sinhala. We believe that language should never be a barrier to enjoying or playing music. Each language brings its own unique flavor, rhythm, and emotional depth, and we strive to preserve that in our notations.
Whether you’re playing a soulful Bengali Rabindra Sangeet, a foot-tapping Tamil movie song, or a timeless Hindi Bollywood melody, you’ll find easy-to-follow notations tailored for self-taught and amateur musicians. Our notations are written in a simplified format that works seamlessly across various instruments—flute, harmonium, keyboard, guitar, violin, and more.
Why Explore Songs in Different Languages?
Exploring music in different languages not only enhances your repertoire but also deepens your understanding of regional musical styles, scales, and expressions. For instance:
Hindi songs offer a wide emotional range—from classical to contemporary.
English tracks bring in global pop, rock, and soul influences.
Bengali music is rich in poetry and melody, especially with Rabindra and Nazrul geet.
Marathi and Gujarati songs often reflect folk roots and cultural stories.
Tamil and Telugu compositions are known for their rhythmic intricacy and lyrical depth.
Punjabi songs come with infectious energy and strong beats.
Nepali and Sinhala tunes bring a Himalayan charm and Southeast Asian soul to the mix.
At NotesAndSargam.com, we take pride in helping users discover this diversity by offering song notations that are both accurate and accessible.
Play What You Love, in Any Language
We know that many of our visitors are self-taught musicians who rely on ear training and visual notations. That’s why every song in our Languages archive is carefully transcribed and tested by fellow music enthusiasts. Our aim is simple—to help you play the songs you love, regardless of the language they are in.
New songs are added regularly, and we also accept user requests and submissions. If there’s a song in your mother tongue that you’d love to play but can’t find notations for, let us know—we just might feature it in our upcoming updates.
Join the Multilingual Musical Journey
Whether you are looking to master a Tamil classic, hum along with a Hindi romantic tune, or try your hands on a Nepali folk melody, the Languages section at NotesAndSargam.com invites you to explore, learn, and enjoy. Dive into the archive, pick your favorite language, and let your instrument sing.


Shyam teri bansi

So gaya ye jahan

Socho ke Jheelo ka shehar ho

Solah baras ki bali umar ko salam

Srimad Ramayan (TV Serial)

Suhana safar aur ye

Suniyo ji araj hamari

Sunn raha hai na tu

Suno gaur sey duniya walon

Suno na sange marmar ki

Suraj re jaltre rehna (Jagat bhar ki roshni ke liye)

Surmayee ankhiyon me

Tadap Tadap ke is dil se

Tanhayee

Tera Mera Pyar Amar

Tera mujhse hai pehle ka

Tere bin nayi lagda dil mera dholna

Tere bin tere bin

Tere bina jiya jaye na

Tere bina zindagi se

Tere Jaisa Yaar Kahan

Tere liye

Tere mast mast do nain

Tere mere milan ki ye raina

Tere Mere Sapne Ab

Teri galliyan

Teri meri meri teri

Tip tip barsa pani

Tu Hi Re

Tu Mile Dil Khile

Tu tu hai wahi dil ne jise

Tujhe dekh dekh sona

Tujhe Dekha To Ye Jana Sanam

Tujhe Suraj Kahu ya Chanda

Tujhko rakkhe ram

Tujhse naraz nahi zindagi

Tum bhi chalo

Tum bin jaun kahan

Tum bin jiya jaye kaise

Tum Dil ki dhadkan me

Tum itna jo muskura rahe ho

Tum mile to jeena aa gaya

Tum mujhe bhool bhi jao

Tum Paas Aaye

Tum pukar lo

Tum se Hi (Na hai ye paana…)

Tum se mil ke aisa laga

Tumhari Nazar Kyu Khafa Ho Gai

Tumhe apna banaane ki kasam / ka junoo
- CAPITAL LETTERS = Shuddh Swars (Natural Notes)
- small letters = Komal Swars (Flat Notes)
- M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
- Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
- Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
- Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
- Notes in { } = “murki” have to be played very fast without any pause
- A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
- A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
- Few “….” (dots) after a note = Play and hold that note
