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Sargam for song Shyam Teri Bansi
Singers: Aarti Mukherji, Jaspal Singh
Lyricis & Music : Ravindra Jain
Movie: Geet Gaata Chal (1975)
Raag : Charukesi

(Tip: Most of the time Ni and Ga are to be played as Komal Swaras unless mentioned in capital letter)

Prelude (Flute & Sitar)

FLUTE PART:
R… MGMG… R GM
PDn DPD… PDPM
DPn DPP… PDPM

SITAR PART:
MP GRS nSSn n
SR MPMGM

FLUTE PART:
MP MPMP GM…
GM GMGM RG… R…

SONG:
Shyam | Teri | Bansi…
MP | DD | DD…

FLUTE:
SnSn DPD

Pukare | Radha | Naam…
D Dn…DnDP | DnD DP |PDPDnS.. SnS nDPD PDPM

FLUTE:
DSD PDR… SnRS nDSn DP M

Shyam | Teri | Bansi…
GM | PDPMGM | PD DD… {nDPD nDPD} SNS nDD

Pukare | Radha | Naam…
S’S’R’.. | D Sg R | DP PM.. GMGR

Log | kare | mira ko
RG | MM | P G R

Yun hi | badanaam
S n | S RR

Shyaam | teri | bansi
M P | D D | D D

Pukaare | radha | naam
DDn | DP | PD PMP

Shyaam | teri | bansi
D Sn | Sn | DD

Pukaare | radha | naam
DDn | DP | PM GM R

Log | kare | mira ko
R G | MM | P G R

Yun hi | badanaam
S n | S R R

Saanvare | ki | bansi | ko
M P D | D | DD | D

Bajane | se | kaam
Dn DP | S’| D M P

Saanvare | ki | bansi | ko
D SnSn | D | D D | D

Bajane | se | kaam
D D R | nD | P M GMR

Radha | kaa | bhi | shyaam | Wo to
R RR | M | M | P M | G R

mira | kaa | bhi | shyaam
Sn | S | R | R

Radha | kaa | bhi | shyaam

Wo to | mira | kaa | bhi | shyaam

O….O O..
R’… {SRSNSR}

Jamunaa | ki | lahare
R R | R | gR gR gR

Bansibat | ki | chhaiyaa
RS N D | D | {DNSNS}

Kisakaa | nahi | hai | kaho
ND DS | S S | S | R RR

Krishan | kanhaiyaa
gR Sn | n D DD

FLUTE:
{RMGRGM}… GRS RSn SnD

Jamunaa | ki | lahare
R R R | R | Rg Rg RgR

Bansibat | ki | chhaiyaa
R SN ND | D | {DNSNS}

Kisakaa | nahi | hai | kaho
ND DS | S S | S | R RR

Krishan | kanhaiyaa
gR Sn | n D DD…PDPM

Shyaam | kaa | divaanaa To
M P | D | D D D

sara | brij | dhaam
Dn | D P | P DPMP

Shyaam | kaa | divaanaa To
D SN S | n | D D R

sara | brij | dhaam
S R S | nD P | P M GMR

Log | kare | mira ko
R G | MM | P G R

Yun hi | badanaam
S n | S R R

If you’ve ever found yourself lost in the soulful charm of devotional music, “Shyam Teri Bansi Pukare Radha Naam” from the 1975 movie Geet Gaata Chal is one song that’s hard to forget. With its simple yet heartfelt lyrics and soothing melody, it captures the eternal love and devotion associated with Lord Krishna.

Ravindra Jain, the genius behind both the composition and lyrics, poured pure devotion into this piece. Sung beautifully by Jaspal Singh and Aarti Mukherji, the song resonates deeply, especially with those who cherish bhajans. The contrast between Radha’s longing and Meera’s unwavering devotion is delicately expressed, making listeners reflect on the different forms of love for the divine.

When the movie released, it became a household favorite. I’ve often heard stories of packed cinema halls where people would stay seated just to hear the bhajans one more time. And it’s not just nostalgia — even today, this song is played during religious gatherings and family events. It has that timeless quality that brings people together, reminding them of devotion, love, and the beautiful stories of Krishna and his devotees.

“Shyam Teri Bansi Pukare Radha Naam” isn’t just a song; it’s a musical offering of faith and love — one that continues to touch hearts across generations. If you haven’t listened to it in a while, maybe it’s time to let its divine melody call out to you once again.

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
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