Mere naina sawan bhadon

1976, Hema Malini, Rajesh Khanna

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CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note

1970-79, Anand Bakshi, Haunting, Hindi, Kishore Kumar, R D Burman, Raag Shivranjani, Raag Shivranjani Based, Sad, Sargam

Sargam notations for the song : Mere Naina Sawan Bhado

Singer : Kishore Kumar
Lyricist : Anand Bakshi
Music Director : R D Burman,
Movie : Mehbooba (1976)
Raag : Shivranjani

Flute used for notations : C#

This song is based on raag Shivranjani, hence use of Komal Gandhar (g) is prominent throughout the song. Shuddh Gandhar (G) is used only thrice in each Antara.

Pay attention to play Komal Nishad (n) and Komal Dhaivat (d) also at places where indicated.

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Mere naina sawan bhadon

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