Amaro Porano Jaha Chay

CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note

1940-49, Bengali Songs, Rabindra Sangeet, Regional songs, Romantic, Sargam

Amaro Porano Jaha Chay Sargam Notations

Amaro | porano | jaha chay
R G R | SND | N d D

Amaro | porano | jaha chay
R G R | SND | N d D

Toma | chara | ar | e | jogote
R G | G G | G | M | GR G

Mor | keho | nai
G~R | G~(P)~D | (P)~D PMG

kichu | nai | go
M G | R GMRG | R~S NDN

Amaro | porano | jaha chay
R G R | SND | N d D

Tumi shukho jodi nahi pao
Jao shukhero shondhane jao

Ami | tomare | peyechhi | hridoyo | majhe
GG | R G G | G G G | R G GP | P d

Amaro porano jaha chay.

Ami | tomaro | birohe | rohibo | bilino
D D | (G)M M | MMP M~G | G~R G | GG G

Tomate | koribo | bash.
G MM | MMP MGM | R~GR~S

Dirgho | borosho | maash.
N~R R | R G GM~R | R G

(Repeat Sargam of 1st stanza for following..)

Jodi aro kare bhalo basho
Jodi aro fire nahi aasho
Tobe tumi jaha chao tai jano pao
Aami joto dukho pai go…
Amaro porano jaha chay
Tumi tai, tumi tai go
Amaro porano jaha chay

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Amaro Porano Jaha Chay

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