Free Sargam Notation

Darshan Do Ghanshyam Nath

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Singers: Hemant Kumar, Sudha Malhotra, Manna De

Poet : Surdas
Music : Ravi
Movie : Narsi Bhagat (1957)

Raag : Kedar
Aroh : S M P D N S’
Avroh : S’ N D P M# R S…

MUKHDA:

Dar shan | Do | Ghan shyam | Nath |
SS MM | M | MG P P | PD

Mori | Ankhiyan | Pya si | Re.
M P | DS’ D~P | MP MPDP | M…{RMPM}R S

Dar shan | Do | Ghan shyam…
SS MM | M | MG M~GP…

Man | Mandir | Ke | Jyot | Jaga | Do, |
P P | S’ S’ | S’~N~D | DNS’ | R’ NS’~NS’ | D~P

Ghat | Ghat | Vasi | Re
PP | PP | MP{DS’DP} | M…{RMPM}R S

Dar shan | Do | Ghan shyam…
SS MM | M | MG M~GP…

ANTARA 1:

Mandir | Mandir | Moorat | Teri, |
P PP | S’ S’S’ | S’ S’S’ | N R’S’

Phir | Bhe | Na | Deekhe | Soorat | Teri
N | N | D | N NS’R’ | S’ NS’ | D…P

Aalap: Aaa…
P…. | MPDP M… | RMPM RS
,N S | M G | P M | D P |
NS’ | G’M’ | R’G’R’G’ S’

Mandir | Mandir | Moorat | Teri, |
P PP | S’ S’S’ | S’ S’S’ | N R’S’

Phir | Bhe | Na | Deekhe | Soorat | Teri
N | N | D | N NS’R’ | S’ NS’ | D…P

Yug | Bete | Na | ae | Milan | Ki |
S’ G’ | G’~M’~R’ | S’ | N N | S’~D~P | P

Pooran | masi | Re.
MP PP | MP {DS’DP} | M…{RMPM}R S

Dar shan | Do | Ghan shyam…
SS MM | M | MG M~GP…

ANTARA 2:

Dvar | Daya | Ka | Jab | Too | Khole, |
P P | P S’ | S’ | S’ S’ | S’ | N R’ S’

Pancham | Sur | Mein | Goonga | Bole.
N ND | N | NS’R’ | S’ NS’NS’ | N~D~P

Andha | Dekhe | Langada | Chal | Kar |
G’ G’~M’ | R’~S’ S’ | N N NS’ | D~P | P

Panhuche | Kashi | Re.
M PP | MP {DS’DP} | M…{RMPM}R S

Dar shan | Do | Ghan shyam…
SS MM | M | MG M~GP…

[Follow same notations for rest of the son…]

ANTARA 3:
Pani | Pi | Kar | Pyas | Bujhaoon |
Nainan | Ko | Kaise | Samajaoon
ankh | Michaule | Chhodo | Ab | To |
Man | Ke | Vasi | Re

ANTARA 4:
Nirbal | Ke | Bal | Dhan | Nidharn | Ke, |
Tum | Rakhavale | Bhakt | Janon | Ke.
Tere | Bhajan | Mein | Sab | Sukh | Paoon, |
Mite | Udasi | Re.

ANTARA 5:
Nam | Jape | Par | Tujhe | Na | Jane, |
Unako | Bhe | Too | Apana | Mane.
Tere | Daya | Ka | Ant | Nahin | Hai, |
He | Duhkh | Nashi | Re.

ANTARA 6:
Aj | faisla | Tere | Dvar | Par, |
Mere | Jeet | Hai | Tere | Har | Par.
Har | Jeet | Hai | Tere | Main | To, |
Charan | Upasi | Re.

ANTARA 7:
Dvar | Khada | Kab | Se | Matavala, |
Mange | Tum | Se | Har | Tumhare.
Narase | Ke | Ye | Binate | Sunalo, |
Bhakt | Vilasi | Re.

ANTARA 8:
Laj | Na | Lut | Jae | Prabhu | Teri, |
Nath | Karo | Na | Daya | Mein | Deri.
Tin | Lok | Chhod | Kar | ao, |
Ganga | Nivasi | Re

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How to read notations
  • CAPITAL LETTERS = Shuddh Swars (Natural Notes)
  • small letters = Komal Swars (Flat Notes)
  • M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } = “murki” have to be played very fast without any pause
  • A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note

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1 comment

  • Ravindra Kathale
    3 years ago Reply

    why not also mention the taal of the song? in fact it would be very helpful if the notation is given as per the beats of the taal.

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