Mai ye soch kar uske dar se

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CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note

Film : Haqeeqat (1964)
Singer : Mohd. Rafi
Lyricist : Kaifi Azmi
Music by : Madan Mohan

Flute used for notations : F#

ke | wo | rok | legi
S | R(G)RS | S N | R~S
mana | legi | mujhko
N R~S | S~NN | SS

Hawao | me | leharata
S(R)g | gg | R(M)GG
aata | tha | daman
GM | P | G~M P~M {GRS}

Ke | daman | pkadkar
S | R~S S | N R~SS
bitha legi | mujhko
N R~SS N | SS

Na daman hi pakda
G | PP P| D~P M~G
na mujhko bithaya
G | PP P| D~P M~G

Na | aawaz | hi | di
D’ | D’D’D’ | D~P | P~M
na | wapas | bulaya
M | MM | G(P)MM

Mai aahista aahista
G | PMG R | GGG
badta hi aaya
RgRS gg

Yaha | tak | ke | us se
S R~S | S | N | R SS
zuda ho | gaya hu
N R~S SN | N SS

Yaha tak ke us se
S R~S | S | N | R SS
zuda ho gaya hu
N R~S SN | N SS

Zuda ho | gaya | mai
N R~S SN | N | S~M~G~M
zuda | ho | gaya…
gg R S | N | SS

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