Singers : Pushpa Pagdhare & Sushma Sreshtha
Lyrics : Abhilash
Music : Kuldeep Singh
Film : Ankush (1986)

Itni shakti hame denaa daataa,
M M G M M M – – G M – – M M G M – P —-

man kaa vishwaas kamzor ho naa
S S S P P P – – P d d d P M G P M – M – – –

hum chale nek raste pe humse
d d d d – – d – – d – d d P n d P M g r – – –

bhoolkar bhi koi bhool ho naa
S – S g r r – – – – M g – g P M – – M – – –

Door agyaan ke ho andhere,
S’ – S’ S’ – r’ g’ r’ S’ n d P – d n S’ —-

too hume gyaan ki roshani de,
S’ – r’ n – – – – – r’ r’ – – g r’ S’ S’ —-

har buraaee se bachate rahe hum,
S’ S’ S’ S’ – r’ g’ r’ S’ n – – d P – d n n S’

jitni bhee de bhali zindagi de
S’ S’ R’ n – – – – S’ d – – P M M d P – – – d P M

Bair ho na kisi ka kisi se,
M M G M M M M M g M M M M M G M – P

Bhaawanaa man me badle ki ho na
S S S P P P – – – d d d P M g P M – M – – – –

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note

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4 Responses

  1. Entire notation is wrong dude and you all “notation web” are copying each other blindly.. Song starts with Sa and if you are not able to find Sa in a song you are not worthy of working on such contents.. Go and learn ..

    1. I dont blame your music knowledge. But, having been writing notations for over 8 years, I have seen that it is not compulsary to start every song with Sa as first note, especially, when you write sargam on Bansuri.
      To validate my point, I request you to write just the sthayi part of the song Sare Jahan Se Achha with first note as Sa without changing the octave on its second line Hindustan Hamara. You will find out yourself what I mean. And then if you agree, please write another comment here.

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