Free Sargam Notation

Baranday roddur

image placeholder

Sargam for Baranday roddur (Bhoomi Bangla Band)
Album : Jatra Shuru (Bhoomi)
Singer : Surojit Chatterjee
Release : 2018
Scale : C#

Prelude:
P P PM MG GR RS NSR
PDN NDP DPP

ANTARA 1:

Baranday | roddur
RGP | RP

Ami | aramke | daray | bose
RG | PPP | P PD~P | PM

du pa | nachai | re
M P | MG | R

Garam | chaay | chumuk | di
RG | P | RG | P

Ami | khoborer | kagaj | niye | bose
RG | PPP | PP | PD | PM

pata | oltai | re
MP | MG | R~P

Calling-er | ghonta | shune
SRG | GM | GM

chute | giye | darja | khuli
GM | GM | GM | GM

Calling-er | ghonta | shune
SRG | GM | GM

chuttay | giye | darja | khuli
G M | GM | GM | GM

Daarwan | daaray | eshe
SRG | GM | GM

tomar | dekha | nai
GP | MG | R

Tomar | dekha | nai re,
NN | NN | N | R~N

tomar | dekha | nai
DD | DD | D~P

Tomar | dekha | nai re,
DD | DD | D | S

tomar | dekha | nai
NN | DP | P

Interlude:
P DPD N
DNDP G
GR RGMP
P P PM MG GR RS NSR
PDN NDP DPP

ANTARA 2:
(Same notations)

Chotur | Dik | Agochal |
Amar | Kajer | Lok
Dub | Mereche |
Dhulo | Barimoy
Ghoror | Ghor |
Fan-Er | Bled
Amar | Ghul | Ghulite |
Chorai | Boshe |
Jatra | Shonay | Re..
Calling-Er | Ghonta | Shune |
Chute | Giye | Dorja | Khuli
Calling-Er | Ghonta | Shune |
Chute | Giye | Dorja | Khuli
Dudhwalar | Gofe | Machhi
Tomar | Dekha | Nei
Tomar | Dekha | Nai | Re 
Tomar | Dekha | Nai
Tomar | Dekha | Nai | Re 
Tomar | Dekha | Nai

ANTARA 3:
(Same notations)
Tabilay| Maanir | Plant |
Sudhu | Maanir
Dekha | Nei | Go |
Amar | Fokka | Pocket | Re
Barandaye | Roddur
Ami | Aramke | Daray |
Boshe | Du pa | nachai | Re
Gorom | Chay | Chumuk | Di
Ami | Khobor | Kagoj | Niye |
Boshe | Pata | Ultai | Re
Calling-Er | Ghonta | Shune |
Chutte | Giye | Dorja | Khuli
Calling-Er | Ghonta | Shune |
Chutte | Giye | Dorja | Khuli
Salesman| Tie| Gochhaye |
Tomar | Dekha | Nei
Tomar | Dekha | Nai | Re 
Tomar | Dekha | Nai

Post Views: 429
Related Keywords
How to read notations
  • CAPITAL LETTERS = Shuddh Swars (Natural Notes)
  • small letters = Komal Swars (Flat Notes)
  • M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } = “murki” have to be played very fast without any pause
  • A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note

ARCHIVE

2 comments

  • PULACK DHARA
    6 years ago Reply

    मैं एक सदी से बैठी हूँ
    इस राह से कोई गुज़रा नहीं
    कुछ चाँद के रथ तो गुज़रे थे
    पर चाँद से कोई उतरा नहीं
    मैं एक सदी से बैठी हूँ …

    दिन रात के दोनो पहिये भी
    कुछ धूल उड़ा कर बीत गये
    मैं मन आँगन में बैठी रही
    चौखट से कोई गुज़रा नहीं
    मैं एक सदी से बैठी हूँ …

    आकाश बड़ा बूढ़ा बाबा
    सब को कुछ बाँट के जाता है
    आँखों को निचोड़ा मैं ने बहुत
    पर कोई आँसू उतरा नहीं
    मैं एक सदी से बैठी हूँ … is gaane ka swaralipi

Leave your comment