Jane Woh Kaise Log The

Sargam for Jane Woh Kaise Log The
Film : Pyasa (1957)
Singer : Hemant Kumar
Lyrics : Sahir Ludhianvi
Music : Sachindev Burman

Jane | woh | kaise
SRG | R | SNN

log | the | jinke
SRG | R | SNN

pyaar | ko | pyaar | mila
SRG | R | SND | NS

Hamne | toh | jab | kaliyan | mangi
PP | M | P | PMP(N)D | DPPM

katon | ka | har | mila
MGMD P MGR MG{RGRG SRN}

Interlude
S G P D

Isko | hee | jina | kehte | hain | toh
PP | M | PP | P(N)D DP | PM | M

yun | hee | jee | lenge
MD | P | MG | R~MG {P~G~P}

Isko | hee | jina | kehte | hain | toh
PP | M | PP | PND DP | PM | M

yun | hee | jee | lenge
MD | P | MG | R~MG

Uf | naa | karenge | lab | see | lenge
R | R | RRRg | R | R | RR

aansu | pee | lenge
GMP | GR | NRS

Gham | se | abb | ghabrana | kaisa
N | N | ND | PP{DNS}S | SS

gham | sau | bar | mila
SR | R | G~RP | MG

Hamne | to | jab….

Bichhad | gaya | har | saathi | dekar
PPP | MP | PM | P(N)D DP | P~M M

pal | do | pal | kaa | saath
MD | P | MG | R~M | G

Kisko | fursat | hai | jo | thame
RRR | RR Rg | R | R | RR

divane | kaa | hath
GMPGR | NR | S

Hamko | apna | saya | tak
NN | NDP | {DNS}S | S

aksar | bejar | mila
SSR | R G~RP | MG

Hamne | to | jab

www.youtube.com/watch?v=cmWZHQAKMEk

CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note

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Asha
October 12, 2015 at 7:19 pm

Very Good. Will try keep it up

Reply
1. Shyam
  October 9, 2020 at 2:49 pm
  
  Uf | naa | karenge | lab | see | lenge
  R | R | RRRg | R | R | RR
  
  GGR SSR GG SRSS is better for this line
  
  Reply
Chandra Prajapati
November 25, 2015 at 12:21 pm

At which scale it is played? I need it to translate it into Indian Sargam.

Reply
1. Notes and Sargam
  November 25, 2015 at 6:00 pm
  
  Please look carefully it is already in Indian Sargam. I played it on F#
  
  Reply
waqar
December 18, 2017 at 5:41 pm

Dear !
please provide the sargam of following songs
1- kaha ho tum zara awaaz do hum yaad kerte hain
2- O raat k musaafir chanda zara batado
3- dil tor ne wale tujhe dil dhoond taha hay
4- lo o a a gaee un kee yaad wo nahi aye

Reply