Aisi lagi lagan meera ho gayi magan

krishna, meera

CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note

1980-89, Anoop Jalota, Devotional, Sargam

Singer : Anoop Jalota

One of the most popular Bhajans sung by Anoop Jalota. In fact, in the 80’s this bhajan became synonymous with the singer’s name.

I have tried to produce the Sargam notes of Aisi Lagai Lagan bhajan (devotional song) as given below. Pay attention to play Komal Gandharv (g), Komal Nishad (n) and, Komal Dhaiwat (d) wherever indicated.

I have also given the signature Harmonium tune used as Interlude music in this song.

Flute used for notations : C middle.

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Aisi lagi lagan meera ho gayi magan

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