Amay bhashaili re, amay dubaili re

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CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note

Sargam for Bangla folk song Amay Bhashaili Re.. (Hindi version of this song is “Ganga aye kaha se, Ganga jaye kaha re..”)

(Prelude…):
Uthali | pathali | amar | boo…k
D D D | D D N | N R | RG….

Amar | mone | te | nayi | sukh | re
G MGRN | N R | G | M | G(M)GR NR R | R

Amai | bhashaili | re
R R | R G~R G~R | RGRGRGRG R SND

amai | dubaili | re
R R | R G~R G~R | RGRGRGRG R SND

Okul | doriar | kono | kul | nai | re
P DS | S S SRN | N D | S…N | D~P | P

(Mukhda…):
Amai | bhashaili | re
NRSND | D NR R | G…R

Amai | dubaili | re
S NS | D NR R | G~M R~G S~R N~S

Okul | doriar | kono | kul | nai | re
D NR | R RG GM | G RS | S R NSN | D~P | P

Kul | nai | kinar | nai
SRSG | G | GG | MGR

Nai go | doriar | paare…e
R R | G M | R G… M RGR

Are | shabdhane | chalaio | majhi
SS | G GG | G G G | M GR

Okul | doriar | bujhi | kul | nai | re
D NR | R RG GM | G RS | S R NSN | D~P | P

shagorero | baane
MM P DP | M P

O o o… O o o…. O o o….
P R D… P R D… P R P

Pansha jole chai bashay
shagorero baane

Ami | jiboner | bhela | bhashailam
PM | M M P | D P | PD PM

Jiboner | bhela | bhashailam
M M P | D P | PD PM

Keo | na | ta | jane | re…
M P | M | GR | R~M M~G | R SND

Okul doriar bujhi kul nai re
Amai bhashaili re ..

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