Chura liya hai tumne jo Sargam Notes

Find More For :
1970-79, Asha Bhonsle, Hindi, Majrooh Sultanpuri, Mohd. Rafi, R D Burman, Sargam
1973, Duet, Vijay Arora, Yadon ki baraat, Zeenat Aman

HOW TO READ THE NOTATIONS

CAPITAL LETTERS = Shuddh Swars (Pure Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] = Tivra Madhyam (M#)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.

Singers : Asha Bhonsle, Rafi
Lyrics : Majrooh Sultanpuri
Music : R D Burman
Film : Yadon ki baraat (1973)

Flute used for notations : G#

Pay attention in playing Komal Gandhar (g) Komal Dhaiwat (d) and Komal Nishad (n) alongwith their Shuddh forms carefully wherever indicated.

And yes, following are the complete lyrics (all 3 Antaras) of the song which is rare to find elsewhere.

PRELUDE MUSIC:

Glass:
P PP (x4)

Guitar :
R P | R’ n D P | R P

R P | R’ n D P | g P

n D P g | S M

R’ S’ D P | MR M DP | MR M DP

Violins:
P… R… M

Guitar
DP | D P | DP | DP

STHAYI:

Chura | liya | hai
P P | n D | P

tumane | jo | dil | ko
P P~D | P | M | M~S

Najar | nahin | churaana | sanam
P P | n P | P P P~D | P M

Badal | ke | meri
P P | n | D P

tum | jindagaani
P | P~D P M M~S

Kahin | badal | na | jaana | sanam
P P | n D | P | P P~D | P P

Ho… | Le | liya | dil
S’… | S’ | S’S’~R'(g’)R’| S’~D

haay | mera | dil
S’ | S’S’~R'(g’)R’| S’~D

Haay | dil | lekar | mujhako
D~S’ | n | P n~D | P n~D

na | bahalaana
P | n~D D~P P

Chura liya…

Music (Saxophone):
SRGM D(S’)D

Chura liya… jana sanam

INTERLUDE:

Violin:
S’…
S’S’S’…R'(g’)R’S’~D (x2)
D S’S’ N…

ANTARA 1:

Bahaar | banake | aun
P D n | S’ S’ | S’ R’~S’

kabhi | tumhaari | duniya | me
N DN | P D n | n n | n

Gujar | na | jaae | ye | din
P D | n | S’ S’ | S’ | R’~S’

kahin | isi | tamanna | me
n D n | P D~n | P P P | P

Tum | mere | ho
S’ | S’S’~R'(g’)R’| S’~D

Ho | tum | mere | ho
S’ | S’ | S’S’~R'(g’)R’| S’~D

Aj | to | itana | waada
D~S’S’| n | P n~D | P n~D

karate | jaana
P | n~D D~P P

Chura liya…

Music (Saxophone):
SRGM D(S’)D

Chura liya… jana sanam

ANTARA 2:
(Notations same as Antara 1)

Sajaaunga | lut | kar | bhi
tere | badan | ki | daali | ko
Lahu | jigar | ka | dunga
hasin | labon | ki | laali | ko
Hai | wafa | kya | is | jahaan | ko
Ek | din | dikhala
dunga | main | diwaana

ANTARA 3:
(Notations same previous Antaras)

akele | mere | aramaan
tadap | tadapake | kyon | rote |
Mere | bhi | din | kya | hote
jo | tum | mere | lie | hote |
Tum | mere | ho, | tum | mere | ho
Aj | to | itana | waada | karate | jaana

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COMMENTS

2 Responses

Subir Kumar Pal says:

July 19, 2020 at 10:26 am

There no indication of’, rhymes’i.e. whether it’s 2/2 or 3/3 , secondly, each group of rhymes has not been mentioned.

Reply
1. mark says:
  
  July 20, 2020 at 12:11 pm
  
  I do not follow the formal style of writing notations. This is my style of writing notations and is very easy to follow.
  
  Reply

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