Ghar Aaya Mera Pardesi

1952, Nargis, Raj Kapoor

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CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note

1950-59, Hindi, Romantic, Sargam, Shailendra, Shankar Jaikishan

Film: Awaara (1951)
Singer: Lata Mangeshkar
Lyrics : Shailendra
Music : Shankar Jaikishan

Flute used for notations : G#

Ghar Aa-ya Mera Parde-shi
Dha-Ni DhaRe# NiDha DhaNiDhaPaNi

Pyaa-s Bujhi Meri Ankhiyan Ki- –
Pa-Dha PaNi DhaPa PaNiDhaPa Ma#PaMa#

Antara-
Tu- Mere Man Ka- , Moti Hai-
Re#Re GaRe Ma#- GaRe, ReGaReRe# Re#
I n Nainan Ki Jyoti Hai
Re#-Re GaReMa# GaRe ReGaRe Re#*Re#*
Yaad Hai Tu Mere Bachpan Ki
Dha-Ni Dha Re#* NiDha DhaNiDhaPa Ni

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