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Eki labonye purno prano

Sargam for Rabindra Sangeet Eki Labonye purno pran

Labonye | purno | pran
NS’NPM | M~GG | R~.N S

pranesh | he
RGM G | M

Aanondo | basonto | samagome
M M~RR | G GRS | R SRS .NS

Eki | labonye | purno | pran
S’S’ | NS’NPM | M~GG | R~.N S

pranesh | he
RGM G | PM

Aanondo | basonto | samagome
M M~RR | G GRS | R SRS .NS

Bikosito | priti | kusumo | he
g’g’R’g’ | R’R’ | R’ S’ N | S’… NS’R’G’M’

Aanondo | basonto | samagome
M M~RR | G GRS | R SRS .NS

Bikosito | pritikusum | He
g’g’R’g’ | R’R’ | R’ S’ N | S’…

He e ee e ey
{NS’R’g’ RRSNDP MGRSND
PDNSRG MPDNSR’}

Bikosito | pritikusum
g’g’R’g’ | R’R’ | R’ S’ N

Pulokito | chito | kanone
S’N PM | G R | GMP~n’

Eki labonye…

Jibonlota | abonota
MPM GRG | R.NS .N ~S.N

tabo | charone
S g | rg~rg M P

[Repeat notes from Bikosito pritikusum… for following]

Harosgeet | uchchhosito | he
Aanondo | basonto | samagome
Harosgeet | uchchhosito | he
Harosgeet | uchchhosito
Kiranomagon | gagone.

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How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
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