
Category: Language
Discover the World of Music Through Languages on NotesAndSargam.com
Music is a universal language—but the beauty of lyrics lies in the diversity of human tongues. At NotesAndSargam.com, we celebrate this linguistic and cultural diversity through our expansive Languages section. Whether you’re a beginner on the keyboard, a casual flutist, or a seasoned guitarist, this archive is your one-stop destination to explore song notations across multiple Indian and international languages.
A Treasure Trove of Multilingual Song Notations
Our Languages archive is a curated collection of song notations from various languages like Hindi, English, Bengali, Gujarati, Marathi, Tamil, Telugu, Punjabi, Nepali, and even Sinhala. We believe that language should never be a barrier to enjoying or playing music. Each language brings its own unique flavor, rhythm, and emotional depth, and we strive to preserve that in our notations.
Whether you’re playing a soulful Bengali Rabindra Sangeet, a foot-tapping Tamil movie song, or a timeless Hindi Bollywood melody, you’ll find easy-to-follow notations tailored for self-taught and amateur musicians. Our notations are written in a simplified format that works seamlessly across various instruments—flute, harmonium, keyboard, guitar, violin, and more.
Why Explore Songs in Different Languages?
Exploring music in different languages not only enhances your repertoire but also deepens your understanding of regional musical styles, scales, and expressions. For instance:
Hindi songs offer a wide emotional range—from classical to contemporary.
English tracks bring in global pop, rock, and soul influences.
Bengali music is rich in poetry and melody, especially with Rabindra and Nazrul geet.
Marathi and Gujarati songs often reflect folk roots and cultural stories.
Tamil and Telugu compositions are known for their rhythmic intricacy and lyrical depth.
Punjabi songs come with infectious energy and strong beats.
Nepali and Sinhala tunes bring a Himalayan charm and Southeast Asian soul to the mix.
At NotesAndSargam.com, we take pride in helping users discover this diversity by offering song notations that are both accurate and accessible.
Play What You Love, in Any Language
We know that many of our visitors are self-taught musicians who rely on ear training and visual notations. That’s why every song in our Languages archive is carefully transcribed and tested by fellow music enthusiasts. Our aim is simple—to help you play the songs you love, regardless of the language they are in.
New songs are added regularly, and we also accept user requests and submissions. If there’s a song in your mother tongue that you’d love to play but can’t find notations for, let us know—we just might feature it in our upcoming updates.
Join the Multilingual Musical Journey
Whether you are looking to master a Tamil classic, hum along with a Hindi romantic tune, or try your hands on a Nepali folk melody, the Languages section at NotesAndSargam.com invites you to explore, learn, and enjoy. Dive into the archive, pick your favorite language, and let your instrument sing.


Kaun hai jo sapno me aya

Kehna hai, Kehna hai

Khoya Khoya Chand Khula Aasman

Kisi nazar ko tera intezar

Kisi Patthar Ki Murat Se

Kiska rasta dekhe

Kismat Ko Tu Apni (Bandeya)

Koi Humdum Na Raha

Koi Jab Tumhara Hriday Tod De…

Koi ye kaise bataaye

Kora Kagaz Tha Yeh Mann Mera

Kuchh Dil Ne Kaha

Kuchh Na Kaho, Kuchh Bhi Na Kaho

Kuhu Kuhu bole koyaliya

Kurbaan Hua

Kya yehi pyar hai

Kya Hua Tera Wada

Kya Maine Socha (One Love)

Kya mausam hai (Chal kahin door nikal jaye)

Kyu na bole mose mohan kyu

Kyuki Tum Hi Ho

Lag Ja Gale

Laila main laila

Lambi Judaai

Lukka chuppi

Madhosh dil ki dhadkan

Mai Jaha Rahu

Mai Piya Teri Tu Mane Ya Na Mane

Mai shayar badnam

Mai ye soch kar uske dar se

Maika Piya Bulave

Main Kabhi Batlata Nahin (Maa)

Main rahu ya na rahu

Main tenu samjhawa ki

Maine Tere Liye Hi Saat Rang Ke

Man Mast Magan

Man re tu kahe na dhir dhare

Man Tadpat Hari Darshan Ko

Mann yeh sahib ji (Saibo)

Manwa Lage

Megha chhaye aadhi raat

Mera dil ye pukare aja

Mera mulk mera desh

Mere deewanepan ki bhi

Mere dil me aj kya hai

Mere hath mein

Mere khwabo me jo aye

Mere mehboob qayamat hogi

Mere naam tu (wo rang bhi)

Aaj Eyi Din Ta Ke

Amar Adhar Bhubone

Amar Bhitoro Bahire Ontore Ontore

Amar hath bandhibi

Amaro Porano Jaha Chay

Amay bhashaili re, amay dubaili re

Ami je jalsaghare

Aro dure chalo jai

Bajlo Tomar Alor Benu (Mahalaya)

Bansuriya Bajao Banshi

Baranday roddur

Bimurto ei ratri amar

Bistirno Duparer

Bodhua amar chokhe jol enechhe

Bolchhi tomar kane kane

Boro asha kore esechhi

Chhata dhoro he deora

Coffee Houser Sheyi Adda Ta

Duronto Ghurnir Eyi Legechhe Paak

E tumi kemon tumi…

Eki labonye purno prano

Ektuku chhoa lage

Eto aloy alo akash (Asatoma Sadgamaya…)

Eyi je nodi jaye sagore

Eyi meghla dine ekla

Eyi Poth Jodi na Sesh hoy

Eyi Raat Tomar Amar

Felu Da Theme Music

Gram Chhara Oyi Ranga Matir Poth

He gombhir (Neel anjano ghono)

Hoyto tomari jonno

Hridoy amar nache re ajke

Jaa re jaa re ure jaa re paakhi

Jago Tumi Jago (Mahalaya)

Jao Pakhi Bolo Sargam notes

Jete Dao Amay Deko Na

Jibone ki pabo na

Jodi Kagoje Lekho Naam

Jodi tor dak shune (Ekla Cholo Re)

Keno kichhu kotha bolo na

Keno Roder Moto Hashle Na

Khachar Vitor Achin Pakhi

Kichhu kotha chhilo chokhe

Kon se alor sopno niye

Maharaja tomare selam

Milon hobe koto dine

Mon Janla Khule Dena

Mon Majhi Re

Mor bhabona re ki haway

Nayono Sorosi Keno

A Whole New World

By the sleepy lagoon

Country Roads Take Me Home

Green Day “Boulevard Of Broken Dreams”

I wanna be adored

Jingle Bells Piano Notes and

Kya Maine Socha (One Love)

My heart is beating

My Sweet Lord

Nearer my God to Thee (Titanic)

Nothing Else Matters… (Metallica)

Show me the meaning of being lonely

Thats my name

The Fields of Athenry

The Pogues – Kitty (Album Version)

Titanic theme song

When Marimba Rhythm Starts To Play

You’ll Never Walk Alone

Mala Ved Lagle Premache (marathi song)

Mendichya Panawar

Naath ha maajha (Marathi Song)

Sairat zalaa ji

Tula paahate re

Yaad Lagla g

Shyam rang samipe na jau

Dil diyan gallan

Japji Sahib Path

Je aitho kadi raavi langh jave

Mai ne main kinu aakhaan

Main tenu samjhawa ki

Pasoori

Samrath guru Sir hath dhario

Sohnea (Jinna-mera-tod-da-ae-dil)

Baanigondu Yelle Yellide

Gamanisu

Kushalave kshemave

Nee Amruthadhaare

Neene Rama Neene Shaama

Prema Chandrama

Mahishasura Mardini Stotram

Thumbi wa thumpakkudathin

Idhu Varai

Kanmani Anbodu Kadhalan

Chirunavve Visiraave

Radhaku Neevera Pranam

Yeduta Nilichindi Choodu

Mandwa ke kaate kaate

Chautariko Bar Pipal (Nepali Song)

Jiu Dhanai Bhake Ni (Nepali Song)

Manike Mage Hithe
- CAPITAL LETTERS = Shuddh Swars (Natural Notes)
- small letters = Komal Swars (Flat Notes)
- M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
- Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
- Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
- Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
- Notes in { } = “murki” have to be played very fast without any pause
- A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
- A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
- Few “….” (dots) after a note = Play and hold that note