Mai shayar badnam

1973, Namak Haram, Rajesh Khanna, Raza Murad

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CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note

1970-79, Anand Bakshi, Hindi, R D Burman, Raag Khamaj, Raag Khamaj Based, Sad, Sargam

Sargam (notations) for song Mai shayar badnam
Singer : Kishore Kumar
Lyrics : Anand Bakshi
Music by : R D Burman
Film : Namak Haram (1973)
Raag : Khamaj

Flute Scale: G#

MUKHDA:

Mai | shayar | badnaam
,P | nN | SRN~RGSRN

Lo | o | mai | chala, | mai | chala
N | S(G)R | R(G)R | SND(N)S | S(R)N | NNDP(D)P

(repeat for…)
mehfil se naakam
Lo o mai chala, mai chala

mai | shayar | badnaam
,P | nN | SRN~(M)GR

ANTARA:

mere | ghar | se | tumko
RG(M)G | R(G)R | SN | NRS

kuchh | saamaan | milega
S | G(M)PM~R | RRR

(repeat for…)
divaane shaayar kaa
ek divaan milega

aur ek chij | milegee
M~R~N | RN~D

Flute interlude
{NDPDNP}

tuta khaalee jam,
,P nN | SRN~RGSRN

Lo | o | mai | chala, | mai | chala
N | S(G)R | R(G)R | SND(N)S | S(R)N | NNDP(D)PM

mai shayar badnaam

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