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Tula paahate re

Sargam notations for the Marathi Song – Tula Paahate Re…, including prelude and interlude music pieces.

Singer : Asha Bhosle
Lyricist : G. D. Madgulkar,
Music Director : Sudhir Phadke
Movie : Jagachya Pathivar (1960)

Scale : C#

PRELUDE MUSIC:
G’… {R’G’R’S’NDPG’}
G’ P D N | DN DN
P D N R’ | NR’NR’
D N R’ M# |
G’ G’ | R’~G’~R’ | N DP
{PDNS’R’G’} G’ | {PDNS’R’} R’
{PDNN} NDPMG

MUKHDA:

Tula | paahate | re | tula | paahate
,N R । GP P P । M# । G R । GP MG

Tula | paahate | re | tula | paahate
,N R । GP P D । N । P DP । MG G G

Tujhi | murt | maajhya
N NG’ । G’G’ । R'(G’)R’N

uri | raahate | re
DP(D)P | DN ND | PDP G

Tula | paahate | re | tula | paahate
,N R । GP P P । M# । G R । GP MG

Jari | andhali | mi | tula | paahate
,N R । GP P D । N । P DP । MG G G

Tula paahate re…

INTERLUDE MUSIC:
G’G’ | R’G’RN | RG RG R,N
M’M’ | G’M’G’R’ | GM GM G R
PP | P MG | GM GM GR | RG RG R | NR NRG

ANTARA 1:

Tujhya | sngaticha | jiwa
G’G’ | R’~DD N~G’G’ | G’~M’ R'(G’)R’

dhyaas | laage
N~D D | N~R’R’

Tujhya | haasa | nyaane
R’R’ | {R’S’ND} D | r’ r’

mani | prit | jaage
r’ N | D~P P | D~N N

INTERLUDE MUSIC
G GPM | R RMG | R NRN | D N G

Tujhya | gaayane | mi |
N NG’ । G’G’ । R'(G’)R’N

sukhi | naahate re
DP(D)P | DN ND | PDP G

Tula paahate re…

INTERLUDE MUSIC:
G’G’ | R’G’RN | RG RG R,N
M’M’ | G’M’G’R’ | GM GM G R
PP | P MG | GM GM GR | RG RG R | NR NRG

ANTARA 2:
(Follow the same notes)

Kiti | bhaagy | ya | ghor | andhepanihi
Dise | swapn | jhopet, | jaagepanihi

INTERLUDE MUSIC:
G GPM | R RMG | R NRN | D N G

Une | lochanaanche | sukhe | saahate
Tula Pahte…

INTERLUDE MUSIC:
N R GG {GRNRG}
N R MM {MRNRM}
G M PP | G MM | R GG | R N
P D N G R…SN
D N R M G…RN
NR GM | P P | G M M
R G…R | N…D | {PDNRG’}

ANTARA 3:
(Follow the same notes)

Kadhi | bhakt | ka | paahaato | ishwaraala
Nadi | nyaahali | ka | kadhi | saagaraala
Tichya | saarakhi | mi | sada | waahate
Tula Pahte…

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How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
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