Category: Language
Discover the World of Music Through Languages on NotesAndSargam.com
Music is a universal language—but the beauty of lyrics lies in the diversity of human tongues. At NotesAndSargam.com, we celebrate this linguistic and cultural diversity through our expansive Languages section. Whether you’re a beginner on the keyboard, a casual flutist, or a seasoned guitarist, this archive is your one-stop destination to explore song notations across multiple Indian and international languages.
A Treasure Trove of Multilingual Song Notations
Our Languages archive is a curated collection of song notations from various languages like Hindi, English, Bengali, Gujarati, Marathi, Tamil, Telugu, Punjabi, Nepali, and even Sinhala. We believe that language should never be a barrier to enjoying or playing music. Each language brings its own unique flavor, rhythm, and emotional depth, and we strive to preserve that in our notations.
Whether you’re playing a soulful Bengali Rabindra Sangeet, a foot-tapping Tamil movie song, or a timeless Hindi Bollywood melody, you’ll find easy-to-follow notations tailored for self-taught and amateur musicians. Our notations are written in a simplified format that works seamlessly across various instruments—flute, harmonium, keyboard, guitar, violin, and more.
Why Explore Songs in Different Languages?
Exploring music in different languages not only enhances your repertoire but also deepens your understanding of regional musical styles, scales, and expressions. For instance:
Hindi songs offer a wide emotional range—from classical to contemporary.
English tracks bring in global pop, rock, and soul influences.
Bengali music is rich in poetry and melody, especially with Rabindra and Nazrul geet.
Marathi and Gujarati songs often reflect folk roots and cultural stories.
Tamil and Telugu compositions are known for their rhythmic intricacy and lyrical depth.
Punjabi songs come with infectious energy and strong beats.
Nepali and Sinhala tunes bring a Himalayan charm and Southeast Asian soul to the mix.
At NotesAndSargam.com, we take pride in helping users discover this diversity by offering song notations that are both accurate and accessible.
Play What You Love, in Any Language
We know that many of our visitors are self-taught musicians who rely on ear training and visual notations. That’s why every song in our Languages archive is carefully transcribed and tested by fellow music enthusiasts. Our aim is simple—to help you play the songs you love, regardless of the language they are in.
New songs are added regularly, and we also accept user requests and submissions. If there’s a song in your mother tongue that you’d love to play but can’t find notations for, let us know—we just might feature it in our upcoming updates.
Join the Multilingual Musical Journey
Whether you are looking to master a Tamil classic, hum along with a Hindi romantic tune, or try your hands on a Nepali folk melody, the Languages section at NotesAndSargam.com invites you to explore, learn, and enjoy. Dive into the archive, pick your favorite language, and let your instrument sing.
Aa laut ke aja mere meet
Aaja aaja mai hu pyaar tera
Aaja sanam madhur chandni mein hum
Aane wala pal jane wala hai
Aao na gale lagalo na
Aaoge jab tum o saajna
Aap ke haseen rukh pe
Aap ke kamre mein koi rehta hai
Aate jate hanste gaate
Aawara hoon
Ab To Hai Tumse
Abhi mujh mein kahin
Abhi naa jao chhod kar
Achyutam Keshavam
Adha hai chandrama
Ae Zindagi Gale Laga Le
Aha rimjhim ke ye pyare pyare
Ahatein ho rahi teri (MTV Splitsvilla)
Aise na mujhe tum dekho
Aj jane ki zid na karo
Aja re mai to kab se
Ajeeb Dastaan Hai Ye
Akele hai to kya gham hai
Albela sajan aayo ree
Alvida, alvida
Ande ka funda
Ankhon me teri ajab si
Apki ankhon me kuchh
Apne Pyar Ke Sapne
Arziyan (Maula Mere Maula)
Aur is dil me kya rakha hai
Aur kya Aur Kya (Tum aaye to)
Awarapan, Banjarapan
Awaz de kaha hai
Awaz deke hame tum bulao
Aye Dil Mujhe Aisi Jagah Le Chal
Aye hairat-e-ashiqui
Aye Malik Tere Bande Hum
Baar baar din ye aye (happy birthday)
Babuji dheere chalna
Bachpan ki mohabbat ko
Bade Achhe lagte hai
Badi nazuk hai ye manzil
Baharon mera jiwan bhi sawaron
Bahon me chale aao
Bahut door mujhe chale jana hai
Bahut Pyar Karte Hai
Banarasiya (rang me bhang ya)
Banjara (Jaise Banjare Ko Ghar)
Aaj Eyi Din Ta Ke
Amar Adhar Bhubone
Amar Bhitoro Bahire Ontore Ontore
Amar hath bandhibi
Amaro Porano Jaha Chay
Amay bhashaili re, amay dubaili re
Ami je jalsaghare
Aro dure chalo jai
Bajlo Tomar Alor Benu (Mahalaya)
Bansuriya Bajao Banshi
Baranday roddur
Bimurto ei ratri amar
Bistirno Duparer
Bodhua amar chokhe jol enechhe
Bolchhi tomar kane kane
Boro asha kore esechhi
Chhata dhoro he deora
Chokher joler hoyna kono rong
Coffee Houser Sheyi Adda Ta
Duronto Ghurnir Eyi Legechhe Paak
E tumi kemon tumi…
Ei to ami Chai
Eki labonye purno prano
Ektuku chhoa lage
Eto aloy alo akash (Asatoma Sadgamaya…)
Eyi je nodi jaye sagore
Eyi meghla dine ekla
Eyi Poth Jodi na Sesh hoy
Eyi Raat Tomar Amar
Felu Da Theme Music
Gram Chhara Oyi Ranga Matir Poth
He gombhir (Neel anjano ghono)
Hoyto tomari jonno
Hridoy amar nache re ajke
Jaa re jaa re ure jaa re paakhi
Jago Tumi Jago (Mahalaya)
Jao Pakhi Bolo Sargam notes
Jete Dao Amay Deko Na
Jibone ki pabo na
Jodi Kagoje Lekho Naam
Jodi tor dak shune (Ekla Cholo Re)
Keno kichhu kotha bolo na
Keno Roder Moto Hashle Na
Khachar Vitor Achin Pakhi
Khone Gora Chand Khone Kala
Kichhu kotha chhilo chokhe
Kon se alor sopno niye
Maharaja tomare selam
Milon hobe koto dine
Mon Janla Khule Dena
A Whole New World
By the sleepy lagoon
Country Roads Take Me Home
Green Day “Boulevard Of Broken Dreams”
I wanna be adored
Jingle Bells Piano Notes
Kya Maine Socha (One Love)
My heart is beating
My Sweet Lord
Nearer my God to Thee (Titanic)
Nothing Else Matters… (Metallica)
Show me the meaning of being lonely
Thats my name
The Fields of Athenry
The Pogues – Kitty (Album Version)
Titanic theme song
When Marimba Rhythm Starts To Play
You’ll Never Walk Alone
Mala Ved Lagle Premache (marathi song)
Mendichya Panawar
Naath ha maajha (Marathi Song)
Sairat zalaa ji
Tula paahate re
Yaad Lagla g
Shyam rang samipe na jau
Dil diyan gallan
Japji Sahib Path
Je aitho kadi raavi langh jave
Mai ne main kinu aakhaan
Main tenu samjhawa ki
Pasoori
Samrath guru Sir hath dhario
Sohnea (Jinna-mera-tod-da-ae-dil)
Aaradhisuve Madanari
Baanigondu Yelle Yellide
Gamanisu
Kushalave kshemave
Nee Amruthadhaare
Neene Rama Neene Shaama
Prema Chandrama
Mahishasura Mardini Stotram
Thumbi wa thumpakkudathin
Idhu Varai
Kanmani Anbodu Kadhalan
Chirunavve Visiraave
Radhaku Neevera Pranam
Yeduta Nilichindi Choodu
Mandwa ke kaate kaate
Chautariko Bar Pipal (Nepali Song)
Jiu Dhanai Bhake Ni (Nepali Song)
Manike Mage Hithe
- CAPITAL LETTERS = Shuddh Swars (Natural Notes)
- small letters = Komal Swars (Flat Notes)
- M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
- Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
- Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
- Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
- Notes in { } = “murki” have to be played very fast without any pause
- A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
- A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
- Few “….” (dots) after a note = Play and hold that note