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Sargam Notations for Devotional Song – “Aye Malik Tere Bande Hum…”

Singer : Lata Mangeshkar
Lyrics : Bharat Vyas
Music : Vasant Desai
Movie : Do Ankhen Barah Haath (1957)

Raag : Basant Mukhari
Aroh : S r G M P d n S’
Avroh : S’ n d P M G r S…

Scale : G#

MUKHDA:

Aye | maalik | tere | bande | hum
S | d d | d P | G M | P…

Chorus: Aaa..aa
S’ n S’…

aise | ho | humaare | karam
P PM | Md | P PM MP | M G…

Chorus: Aaa..aa
P M G…

nekee | par | chale, |
,n S | SG | r S

aur | badee | se | tale, |
S~,n | ,n S | SG | r S

takee | haste | huye |
S S | S Sd | P PM

nikale | dam
M P G | M…

Chorus: Aaa..aa
S’… ndM

aye | maalik | tere | bande | hum
S | n~d d | d P(d)P | G M | MP…

INTERLUDE MUSIC:
n S’ G’ S’ n | S’ n d | M d n S’

ANTARA 1:

badaa | kamajor | hain | admi, |
S’ S’ | S’~n n~S’S’ | d | d n d M…

Chorus: Aaaa….aaa
S’ n d M…

abhi | laakhon | hain | is | mein | kamee
M M | M~G~M | M | GG | M~G~M | G S

Chorus: Aaaa….aaa
P M G S…

par | tu | jo | khadaa, |
G M | P | PS’ | n P

hain | dayaaloo | badaa, |
M~G | M P PS’ | n P

teri | kirpaa | se | dharatee | thamee
G M | MP P | M | G M | G S

MUSIC:
dM dM G R S

diya | tune | humei | jab | janam |
S S | d d | d P | G G | M P…

Chorus: Aaa..aa
S’ n S’…

tu | hee | zelegaa | hum | sabke | gam
P | P | PM Md P | PM | MPM | G…

Chorus: Aaa..aa
P M G…

nekee | par | chale, |
,n S | SG | r S

aur | badee | se | tale, |
S~,n | ,n S | SG | r S

takee | haste | huye |
S S | S Sd | P PM

nikale | dam
M P G | M…

Chorus: Aaa..aa
S’… ndM

aye | maalik | tere | bande | hum
S | n~d d | d P(d)P | G M | MP…

INTERLUDE MUSIC:
Violins:
{,nSRGMP}

Chorus: Aaa…
S’…n d M…

Violins:
d Md MG SG

Chorus: Aaa…
d…M G S…

Violins:
M GM GS ,nS
SG MP MG SG
Md nS’ nd Md
n S’ G’M’ G’S’ nS’ M’

ANTARA 2:
jab | zulmo | ka | ho | saamna, |
S’ S’ | S’~n n~S’ | n | d | d n d M…

Chorus: Aaaa….aaa
S’ n d M…

tab | tu | hee | hume | thamna
M M | G | M | M G | M~G~M | G S

Chorus: Aaaa….aaa
P M G S…

wo | burae | kare, |
G | M P PS’ | n P

hum | bhalai | bhare, |
M~G | M P PS’ | n P

naheen | badale | kee | ho | kaamna
G M | MP P | M | G | G~M G S

MUSIC:
dM dM G R S

badh | uthhe | pyaar | kaa | har | kadam |
S | S d | d d | P | G | M P…

Chorus: Aaa..aa
S’ n S’…

aur | mite | bair | kaa | ye | bharam
P | P PM | Md P | PM | MP | M G…

Chorus: Aaa..aa
P M G…

nekee | par | chale, |
,n S | SG | r S

aur | badee | se | tale, |
S~,n | ,n S | SG | r S

takee | haste | huye |
S S | S Sd | P PM

nikale | dam
M P G | M…

Chorus: Aaa..aa
S’… ndM

aye | maalik | tere | bande | hum
S | n~d d | d P(d)P | G M | MP…

ANTARA 3:
(Same notations)

ye | andhera | ghanaa | chha | raha, |
teraa | insaan | ghabra | raha
ho | raha | bekhabar, |
kuchh | na | aata | nazar, |
sukh | kaa | sooraj |
chhupa | ja | raha
hai | teree | roshanee |
mein | jo | dam |
to | amaawas | ko |
kar | de | poonam

If you’ve ever listened to “Aye Malik Tere Bande Hum” from the 1957 classic Do Aankhen Barah Haath, you know it’s not just a song — it’s a soulful prayer. Sung by the legendary Lata Mangeshkar and penned by Bharat Vyas, this masterpiece has a way of touching the heart with its simple yet powerful plea for guidance and goodness.

But here’s something that makes this song even more special. It once crossed borders and made its way into a Pakistani school, where it was adopted as a morning prayer. Imagine that — a song from an Indian film, finding a place in the daily routine of students across the border. If that’s not the power of music, I don’t know what is!

And let’s talk about Bharat Vyas for a moment. The man had a knack for writing words that weren’t just poetic but deeply meaningful. There’s even a story that during a tough time in his personal life — when his son walked away after an argument — he channeled his pain into the lyrics of “Zara Samne To Aao Chhaliye” from Janam Janam Ke Phere. That’s the kind of emotional depth he brought to his songs.

Even today, “Aye Malik Tere Bande Hum” is sung in schools, prayer gatherings, and even community events. It’s a timeless reminder of humility, hope, and our constant quest to be better human beings. Some songs fade away, but this one? It stays — like a prayer etched into our hearts.

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
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