
Category: Language
Discover the World of Music Through Languages on NotesAndSargam.com
Music is a universal language—but the beauty of lyrics lies in the diversity of human tongues. At NotesAndSargam.com, we celebrate this linguistic and cultural diversity through our expansive Languages section. Whether you’re a beginner on the keyboard, a casual flutist, or a seasoned guitarist, this archive is your one-stop destination to explore song notations across multiple Indian and international languages.
A Treasure Trove of Multilingual Song Notations
Our Languages archive is a curated collection of song notations from various languages like Hindi, English, Bengali, Gujarati, Marathi, Tamil, Telugu, Punjabi, Nepali, and even Sinhala. We believe that language should never be a barrier to enjoying or playing music. Each language brings its own unique flavor, rhythm, and emotional depth, and we strive to preserve that in our notations.
Whether you’re playing a soulful Bengali Rabindra Sangeet, a foot-tapping Tamil movie song, or a timeless Hindi Bollywood melody, you’ll find easy-to-follow notations tailored for self-taught and amateur musicians. Our notations are written in a simplified format that works seamlessly across various instruments—flute, harmonium, keyboard, guitar, violin, and more.
Why Explore Songs in Different Languages?
Exploring music in different languages not only enhances your repertoire but also deepens your understanding of regional musical styles, scales, and expressions. For instance:
Hindi songs offer a wide emotional range—from classical to contemporary.
English tracks bring in global pop, rock, and soul influences.
Bengali music is rich in poetry and melody, especially with Rabindra and Nazrul geet.
Marathi and Gujarati songs often reflect folk roots and cultural stories.
Tamil and Telugu compositions are known for their rhythmic intricacy and lyrical depth.
Punjabi songs come with infectious energy and strong beats.
Nepali and Sinhala tunes bring a Himalayan charm and Southeast Asian soul to the mix.
At NotesAndSargam.com, we take pride in helping users discover this diversity by offering song notations that are both accurate and accessible.
Play What You Love, in Any Language
We know that many of our visitors are self-taught musicians who rely on ear training and visual notations. That’s why every song in our Languages archive is carefully transcribed and tested by fellow music enthusiasts. Our aim is simple—to help you play the songs you love, regardless of the language they are in.
New songs are added regularly, and we also accept user requests and submissions. If there’s a song in your mother tongue that you’d love to play but can’t find notations for, let us know—we just might feature it in our upcoming updates.
Join the Multilingual Musical Journey
Whether you are looking to master a Tamil classic, hum along with a Hindi romantic tune, or try your hands on a Nepali folk melody, the Languages section at NotesAndSargam.com invites you to explore, learn, and enjoy. Dive into the archive, pick your favorite language, and let your instrument sing.


Ik aisi ladki thi

Ik Baat Kahun Mere Piya

Ik bagal me chaand hoga

Ik hasee shaam ko

Ik Lamha (Teri dooriyan mujhpe)

Ik na ik din ye kahani banegi

Is shane karam ka kya kehna

Isharo isharo me dil lene wale

Itna na mujhase tu pyar badha

Itni Haseen Itni Jawa Raat Kya Kare…

Itni shakti hame dena daata

Jaane ja dhundhta fir raha

Jaane Kya Baat Hai

Jaaye To Jaaye Kahan

Jab koi baat bigad jaaye

Jai jai shiv shankar

Janam janam janam

Jane chale jate hai kahan

Jane do na, Paas aao na

Jane Kahan Gaye Wo Din

Jane kya dhoondti rehti hai

Jane kyu log mohabbat kiya karte ha

Jane Woh Kaise Log The

Janeman Janeman Tere Do Nayan

Jashn-e-bahara

Jaun kahan bata aye dil

Jeena Jeena

Jeena Yahan Merna Yahan

Jeene Laga Hoon

Jeewan ke din chhote sahi

Jhanak Jhanak Tori Baje Payaliya

Jis Gali Mein Tera Ghar Na Ho Baalma

Jo hal dil ka

Jogi Jab Se tu Aya Mere Dware

Jot se jot jalate chalo

Ka Karu Sajni Aye na baalam

Kaash Aisa Koi Manzar Hota

Kabhi kabhi mere dil me

Kabhi Sham Dhale

Kadam Kadam Badhaye Ja

Kagaz ke do pankh leke

Kaha tak ye man ko

Kahe Chhed Chhed Mohe

Kahe Ko roye (Banegi Asha Teri)

Kahin door jab din dhal jaye

Kahin Karti Hogi

Kahin Na Ja, Aj Kahin Mat Ja

Kaisi Hai Ye Rut Ke Jisme

Kal ho na ho (Har ghadi badal rahi hai…)

Mor bhabona re ki haway

Nayono Sorosi Keno

O Amar Desher Maati

O go nirupama

O Mor Moyna Go

Phagunero mohanay

Prem Jeno Ek (Prem Boro Modhur)

Preme Pora Baron

Purano shei diner kotha

Ranaar Chhutechhe

Se dino akashe

Se Prothom Prem Amar Nilanjana

Se to elona

Sei raate rat chhilo purnima

Shanti Dao Shanti Dao (Bengali Devotional Song)

Shisire Shisire Sharodo Akashe

Tomar khola haowa

Tomay hrid majhare rakhibo

Tomay porechhe mone

Tumi Amar Nayan Go

Tumi jake bhalobasho

Tumi Robe Nirobe

Ureche Mon

A Whole New World

By the sleepy lagoon

Country Roads Take Me Home

Green Day “Boulevard Of Broken Dreams”

I wanna be adored

Jingle Bells Piano Notes

Kya Maine Socha (One Love)

My heart is beating

My Sweet Lord

Nearer my God to Thee (Titanic)

Nothing Else Matters… (Metallica)

Show me the meaning of being lonely

Thats my name

The Fields of Athenry

The Pogues – Kitty (Album Version)

Titanic theme song

When Marimba Rhythm Starts To Play

You’ll Never Walk Alone

Mala Ved Lagle Premache (marathi song)

Mendichya Panawar

Naath ha maajha (Marathi Song)

Sairat zalaa ji

Tula paahate re

Yaad Lagla g

Shyam rang samipe na jau

Dil diyan gallan

Japji Sahib Path

Je aitho kadi raavi langh jave

Mai ne main kinu aakhaan

Main tenu samjhawa ki

Pasoori

Samrath guru Sir hath dhario

Sohnea (Jinna-mera-tod-da-ae-dil)

Baanigondu Yelle Yellide

Gamanisu

Kushalave kshemave

Nee Amruthadhaare

Neene Rama Neene Shaama

Prema Chandrama

Mahishasura Mardini Stotram

Thumbi wa thumpakkudathin

Idhu Varai

Kanmani Anbodu Kadhalan

Chirunavve Visiraave

Radhaku Neevera Pranam

Yeduta Nilichindi Choodu

Mandwa ke kaate kaate

Chautariko Bar Pipal (Nepali Song)

Jiu Dhanai Bhake Ni (Nepali Song)

Manike Mage Hithe
- CAPITAL LETTERS = Shuddh Swars (Natural Notes)
- small letters = Komal Swars (Flat Notes)
- M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
- Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
- Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
- Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
- Notes in { } = “murki” have to be played very fast without any pause
- A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
- A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
- Few “….” (dots) after a note = Play and hold that note