Category: Language
Discover the World of Music Through Languages on NotesAndSargam.com
Music is a universal language—but the beauty of lyrics lies in the diversity of human tongues. At NotesAndSargam.com, we celebrate this linguistic and cultural diversity through our expansive Languages section. Whether you’re a beginner on the keyboard, a casual flutist, or a seasoned guitarist, this archive is your one-stop destination to explore song notations across multiple Indian and international languages.
A Treasure Trove of Multilingual Song Notations
Our Languages archive is a curated collection of song notations from various languages like Hindi, English, Bengali, Gujarati, Marathi, Tamil, Telugu, Punjabi, Nepali, and even Sinhala. We believe that language should never be a barrier to enjoying or playing music. Each language brings its own unique flavor, rhythm, and emotional depth, and we strive to preserve that in our notations.
Whether you’re playing a soulful Bengali Rabindra Sangeet, a foot-tapping Tamil movie song, or a timeless Hindi Bollywood melody, you’ll find easy-to-follow notations tailored for self-taught and amateur musicians. Our notations are written in a simplified format that works seamlessly across various instruments—flute, harmonium, keyboard, guitar, violin, and more.
Why Explore Songs in Different Languages?
Exploring music in different languages not only enhances your repertoire but also deepens your understanding of regional musical styles, scales, and expressions. For instance:
Hindi songs offer a wide emotional range—from classical to contemporary.
English tracks bring in global pop, rock, and soul influences.
Bengali music is rich in poetry and melody, especially with Rabindra and Nazrul geet.
Marathi and Gujarati songs often reflect folk roots and cultural stories.
Tamil and Telugu compositions are known for their rhythmic intricacy and lyrical depth.
Punjabi songs come with infectious energy and strong beats.
Nepali and Sinhala tunes bring a Himalayan charm and Southeast Asian soul to the mix.
At NotesAndSargam.com, we take pride in helping users discover this diversity by offering song notations that are both accurate and accessible.
Play What You Love, in Any Language
We know that many of our visitors are self-taught musicians who rely on ear training and visual notations. That’s why every song in our Languages archive is carefully transcribed and tested by fellow music enthusiasts. Our aim is simple—to help you play the songs you love, regardless of the language they are in.
New songs are added regularly, and we also accept user requests and submissions. If there’s a song in your mother tongue that you’d love to play but can’t find notations for, let us know—we just might feature it in our upcoming updates.
Join the Multilingual Musical Journey
Whether you are looking to master a Tamil classic, hum along with a Hindi romantic tune, or try your hands on a Nepali folk melody, the Languages section at NotesAndSargam.com invites you to explore, learn, and enjoy. Dive into the archive, pick your favorite language, and let your instrument sing.
Ik Baat Kahun Mere Piya
Ik bagal me chaand hoga
Ik hasee shaam ko
Ik Lamha (Teri dooriyan mujhpe)
Ik na ik din ye kahani banegi
Is shane karam ka kya kehna
Isharo isharo me dil lene wale
Itna na mujhase tu pyar badha
Itni Haseen Itni Jawa Raat Kya Kare…
Itni shakti hame dena daata
Jaane ja dhundhta fir raha
Jaane Kya Baat Hai
Jaaye To Jaaye Kahan
Jab koi baat bigad jaaye
Jai jai shiv shankar
Janam janam janam
Jane chale jate hai kahan
Jane do na, Paas aao na
Jane Kahan Gaye Wo Din
Jane kya dhoondti rehti hai
Jane kyu log mohabbat kiya karte ha
Jane Woh Kaise Log The
Janeman Janeman Tere Do Nayan
Jashn-e-bahara
Jaun kahan bata aye dil
Jeena Jeena
Jeena Yahan Merna Yahan
Jeene Laga Hoon
Jeewan ke din chhote sahi
Jhanak Jhanak Tori Baje Payaliya
Jhoomati Chali Hawa
Jis Gali Mein Tera Ghar Na Ho Baalma
Jo hal dil ka
Jogi Jab Se tu Aya Mere Dware
Jot se jot jalate chalo
Ka Karu Sajni Aye na baalam
Kaash Aisa Koi Manzar Hota
Kabhi kabhi mere dil me
Kabhi Sham Dhale
Kadam Kadam Badhaye Ja
Kagaz ke do pankh leke
Kaha tak ye man ko
Kahe Chhed Chhed Mohe
Kahe Ko roye (Banegi Asha Teri)
Kahin door jab din dhal jaye
Kahin Karti Hogi
Kahin Na Ja, Aj Kahin Mat Ja
Kaisi Hai Ye Rut Ke Jisme
Kal ho na ho (Har ghadi badal rahi hai…)
Mon Majhi Re
Mor bhabona re ki haway
Nayono Sorosi Keno
O Amar Desher Maati
O go nirupama
O Mor Moyna Go
Ogo Amar Agomoni (Mahalaya)
Phagunero mohanay
Prem Jeno Ek (Prem Boro Modhur)
Preme Pora Baron
Purano shei diner kotha
Ranaar Chhutechhe
Se dino akashe
Se Prothom Prem Amar Nilanjana
Se to elona
Sei raate rat chhilo purnima
Shanti Dao Shanti Dao (Bengali Devotional Song)
Shisire Shisire Sharodo Akashe
Tomar khola haowa
Tomay hrid majhare rakhibo
Tomay porechhe mone
Tumi Amar Nayan Go
Tumi jake bhalobasho
Tumi Robe Nirobe
Ureche Mon
A Whole New World
By the sleepy lagoon
Country Roads Take Me Home
Green Day “Boulevard Of Broken Dreams”
I wanna be adored
Jingle Bells Piano Notes
Kya Maine Socha (One Love)
My heart is beating
My Sweet Lord
Nearer my God to Thee (Titanic)
Nothing Else Matters… (Metallica)
Show me the meaning of being lonely
Thats my name
The Fields of Athenry
The Pogues – Kitty (Album Version)
Titanic theme song
When Marimba Rhythm Starts To Play
You’ll Never Walk Alone
Mala Ved Lagle Premache (marathi song)
Mendichya Panawar
Naath ha maajha (Marathi Song)
Sairat zalaa ji
Tula paahate re
Yaad Lagla g
Shyam rang samipe na jau
Dil diyan gallan
Japji Sahib Path
Je aitho kadi raavi langh jave
Mai ne main kinu aakhaan
Main tenu samjhawa ki
Pasoori
Samrath guru Sir hath dhario
Sohnea (Jinna-mera-tod-da-ae-dil)
Aaradhisuve Madanari
Baanigondu Yelle Yellide
Gamanisu
Kushalave kshemave
Nee Amruthadhaare
Neene Rama Neene Shaama
Prema Chandrama
Mahishasura Mardini Stotram
Thumbi wa thumpakkudathin
Idhu Varai
Kanmani Anbodu Kadhalan
Chirunavve Visiraave
Radhaku Neevera Pranam
Yeduta Nilichindi Choodu
Mandwa ke kaate kaate
Chautariko Bar Pipal (Nepali Song)
Jiu Dhanai Bhake Ni (Nepali Song)
Manike Mage Hithe
- CAPITAL LETTERS = Shuddh Swars (Natural Notes)
- small letters = Komal Swars (Flat Notes)
- M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
- Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
- Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
- Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
- Notes in { } = “murki” have to be played very fast without any pause
- A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
- A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
- Few “….” (dots) after a note = Play and hold that note