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Jaaye To Jaaye Kahan

Jaaye To Jaaye Kahan

Sargam notations for the song – Jaaye To Jaaye Kahan

Singer : Talat Mehmood
Lyricist : Sahir Ludhianvi
Music Director : Sachin Dev Burman
Movie : Taxi Driver (1954)

MUKHDA:

Jaaye | to | jaaye | ka haan, |
G.. PM | G | G…M | GR RG…

samjhega | kaun | yahaan
R(G)R S,N ,D,N ,NR~S | SGRGS | ,N,D ,D,NS,N S

Dard | bhare | dil | ki | jubaan
,D,N S | ,N S G | G M | P | D~P PS’ N~S D~N P~D

Jaaye | to | jaaye | kahaan
GMPM | G | G…M | R GP MP G…

INTERLUDE:
G MD… PnDP G… P… D{nDP} D{nDP} D{nDP} D…

ANTARA 1:

Mayusion | ka |
D P G M D | D

majma | hai | ji | men
D N D~P | P | DN~D | Dn r’S’

Kya | reh | gaya | hai |
N S’ | N~D | D~P P~G P PDn

is | jindagi | men
D nD | P M MDPM | G

Mayusion | ka |
D P G M {PDNS’} NS’ | N~D…

MUSIC:
D N S’ G’…S’~R’ N~S’ D~N P~D

Mayusion ka…

Ruh | men | gam, |
,N S | ,D ,N | S G

dil | men | dhuan |
G M | P | D D~P PS’ N~S D~N P~D

Jaaye | to | jaaye | kahaan
GMPM | G | G…M | R GP MP G…

INTERLUDE:
G MD… PnDP G… P… D{nDP} D{nDP} D{nDP} D…

ANTARA 2:

Unka | bhi | gam | hai, |
D P G | M | D | D

apana | bhi | gam | hai
D N D~P | P | DN~D | Dn r’S’

Ab | dilke | bachane | ki |
N S’ | N~D DP | PD DP Dn | n~P

ummid | kam | hai
PDP DnD | PMP | P G

Unka | bhi | gam | hai, |
D P G | M | {PDNS’} NS’ | N~D…

MUSIC:
D N S’ G’…S’~R’ N~S’ D~N P~D

Unka bhi…

Ek | kashti, |
,N S | ,D ,N | S G

sau | tufaan
G M | P D PS’ N~S D~N P~D

Jaaye | to | jaaye | kahaan
GMPM | G | G…M | R GP MP G…

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How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
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