Mor bhabona re ki haway

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CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note

Sargam notations for Rabindra sangeet : Mor bhabonare ki haway matalo

Mor | bhabonare
.P D | S D SS

ki | haway | matalo | O..
R | S R | G S R | G P…M

Dole | mono | dole
G M | R G | S N

okarono | horoshe
.D .N .P.P | .D .N S

Hridoyo | gogone
.P .P~S S~.D | .D .DS R

sojolo | ghono | nobino | meghe
S R G | M R | S R G | MGR

Roshero | dhara | boroshe
S .N .D | S .N | .D .N .P

Mor | bhabonare ….

(2nd para):

Goponey | shoponey | chailo
S .N .D | S .N .D | .N~S S~R

Oporosho | ancholero
.P D N S | S G R S

nobo | nilima
S .N | .D .N .P

Urey | jai | badoler | ei | batashe
P M | G | S R G D | PM | G D P

Tar | chayamoyo
D N’ | D N’ S’ N’

elokesh | akashe
D’~N’ P~D | M P G~M R

She je | mono | mor | dilo | akule
.P R | S R | G M | G R | S .N .D

Jol | bheja | ketokir | dur | shubashey
.P.D | S R | G D P G | G~R | S .N .P
Mor bhabonare ki haway matalo

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