Category: Language
Discover the World of Music Through Languages on NotesAndSargam.com
Music is a universal language—but the beauty of lyrics lies in the diversity of human tongues. At NotesAndSargam.com, we celebrate this linguistic and cultural diversity through our expansive Languages section. Whether you’re a beginner on the keyboard, a casual flutist, or a seasoned guitarist, this archive is your one-stop destination to explore song notations across multiple Indian and international languages.
A Treasure Trove of Multilingual Song Notations
Our Languages archive is a curated collection of song notations from various languages like Hindi, English, Bengali, Gujarati, Marathi, Tamil, Telugu, Punjabi, Nepali, and even Sinhala. We believe that language should never be a barrier to enjoying or playing music. Each language brings its own unique flavor, rhythm, and emotional depth, and we strive to preserve that in our notations.
Whether you’re playing a soulful Bengali Rabindra Sangeet, a foot-tapping Tamil movie song, or a timeless Hindi Bollywood melody, you’ll find easy-to-follow notations tailored for self-taught and amateur musicians. Our notations are written in a simplified format that works seamlessly across various instruments—flute, harmonium, keyboard, guitar, violin, and more.
Why Explore Songs in Different Languages?
Exploring music in different languages not only enhances your repertoire but also deepens your understanding of regional musical styles, scales, and expressions. For instance:
Hindi songs offer a wide emotional range—from classical to contemporary.
English tracks bring in global pop, rock, and soul influences.
Bengali music is rich in poetry and melody, especially with Rabindra and Nazrul geet.
Marathi and Gujarati songs often reflect folk roots and cultural stories.
Tamil and Telugu compositions are known for their rhythmic intricacy and lyrical depth.
Punjabi songs come with infectious energy and strong beats.
Nepali and Sinhala tunes bring a Himalayan charm and Southeast Asian soul to the mix.
At NotesAndSargam.com, we take pride in helping users discover this diversity by offering song notations that are both accurate and accessible.
Play What You Love, in Any Language
We know that many of our visitors are self-taught musicians who rely on ear training and visual notations. That’s why every song in our Languages archive is carefully transcribed and tested by fellow music enthusiasts. Our aim is simple—to help you play the songs you love, regardless of the language they are in.
New songs are added regularly, and we also accept user requests and submissions. If there’s a song in your mother tongue that you’d love to play but can’t find notations for, let us know—we just might feature it in our upcoming updates.
Join the Multilingual Musical Journey
Whether you are looking to master a Tamil classic, hum along with a Hindi romantic tune, or try your hands on a Nepali folk melody, the Languages section at NotesAndSargam.com invites you to explore, learn, and enjoy. Dive into the archive, pick your favorite language, and let your instrument sing.
Bechara dil kya kare
Bheege hont tere
Bheegi Bheegi Si Hai Raatein
Bhigi bhigi rato me
Bhor bhaye panghat pe
Bikharne ka mujhko shauq hai bada
Bolna Mahi Bolna
Breathless
Brishti Pade Tapur Tupur
Chaha Hai Tujhko
Chaha tujhe hai (Band of Boys)
Chain se humko kabhi
Chak Dhoom Dhoom… (Koi Ladki Hai Jab Wo Hasti Hai)
Chal tere ishq mein (Gadar2)
Chalo ik bar fir se
Chand si mehbooba ho
Chandan sa badan
Chandni Ratein
Chehra hai ya chand khila
Chhoo kar mere man ko
Chhoti si ye zindgani re
Chhupa Lo yun Dil me
Chingari koyi bhadake
Chitthi na koi sandes
Choodi nahi ye mera
Chori chori teri meri love story
Chup chup khade ho
Chupke Chupke Hum
Chura liya hai tumne jo
Dard dilo ke kam ho jate
Darshan Do Ghanshyam Nath
Dawat-e-ishq hai
Deewana hua baadal
Deewani Deewani Deewana Tera Ho Gaya
Dekh hamen aawaz na dena
Dekha Na Haay Re
Dhadkan zara ruk gayi hai
Dharti Tarse Amber Barse (Baghban)
Dil Aaj Shayar Hai
Dil Chhed Koi Aisa Nagma
Dil diyan gallan
Dil hai chota sa
Dil Hoom Hoom Kare
Dil ko dekho chehra na dekho
Dil ko hai tumse pyar kyu
Dil lootne wale jadugar
Dil ne kaha chupke se
Dil Pukare Aare Aare Aare
Dil Se Re…
Mon Majhi Re
Mor bhabona re ki haway
Nayono Sorosi Keno
O Amar Desher Maati
O go nirupama
O Mor Moyna Go
Ogo Amar Agomoni (Mahalaya)
Phagunero mohanay
Prem Jeno Ek (Prem Boro Modhur)
Preme Pora Baron
Purano shei diner kotha
Ranaar Chhutechhe
Se dino akashe
Se Prothom Prem Amar Nilanjana
Se to elona
Sei raate rat chhilo purnima
Shanti Dao Shanti Dao (Bengali Devotional Song)
Shisire Shisire Sharodo Akashe
Tomar khola haowa
Tomay hrid majhare rakhibo
Tomay porechhe mone
Tumi Amar Nayan Go
Tumi jake bhalobasho
Tumi Robe Nirobe
Ureche Mon
- CAPITAL LETTERS = Shuddh Swars (Natural Notes)
- small letters = Komal Swars (Flat Notes)
- M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
- Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
- Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
- Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
- Notes in { } = “murki” have to be played very fast without any pause
- A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
- A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
- Few “….” (dots) after a note = Play and hold that note