Category: Language
Discover the World of Music Through Languages on NotesAndSargam.com
Music is a universal language—but the beauty of lyrics lies in the diversity of human tongues. At NotesAndSargam.com, we celebrate this linguistic and cultural diversity through our expansive Languages section. Whether you’re a beginner on the keyboard, a casual flutist, or a seasoned guitarist, this archive is your one-stop destination to explore song notations across multiple Indian and international languages.
A Treasure Trove of Multilingual Song Notations
Our Languages archive is a curated collection of song notations from various languages like Hindi, English, Bengali, Gujarati, Marathi, Tamil, Telugu, Punjabi, Nepali, and even Sinhala. We believe that language should never be a barrier to enjoying or playing music. Each language brings its own unique flavor, rhythm, and emotional depth, and we strive to preserve that in our notations.
Whether you’re playing a soulful Bengali Rabindra Sangeet, a foot-tapping Tamil movie song, or a timeless Hindi Bollywood melody, you’ll find easy-to-follow notations tailored for self-taught and amateur musicians. Our notations are written in a simplified format that works seamlessly across various instruments—flute, harmonium, keyboard, guitar, violin, and more.
Why Explore Songs in Different Languages?
Exploring music in different languages not only enhances your repertoire but also deepens your understanding of regional musical styles, scales, and expressions. For instance:
Hindi songs offer a wide emotional range—from classical to contemporary.
English tracks bring in global pop, rock, and soul influences.
Bengali music is rich in poetry and melody, especially with Rabindra and Nazrul geet.
Marathi and Gujarati songs often reflect folk roots and cultural stories.
Tamil and Telugu compositions are known for their rhythmic intricacy and lyrical depth.
Punjabi songs come with infectious energy and strong beats.
Nepali and Sinhala tunes bring a Himalayan charm and Southeast Asian soul to the mix.
At NotesAndSargam.com, we take pride in helping users discover this diversity by offering song notations that are both accurate and accessible.
Play What You Love, in Any Language
We know that many of our visitors are self-taught musicians who rely on ear training and visual notations. That’s why every song in our Languages archive is carefully transcribed and tested by fellow music enthusiasts. Our aim is simple—to help you play the songs you love, regardless of the language they are in.
New songs are added regularly, and we also accept user requests and submissions. If there’s a song in your mother tongue that you’d love to play but can’t find notations for, let us know—we just might feature it in our upcoming updates.
Join the Multilingual Musical Journey
Whether you are looking to master a Tamil classic, hum along with a Hindi romantic tune, or try your hands on a Nepali folk melody, the Languages section at NotesAndSargam.com invites you to explore, learn, and enjoy. Dive into the archive, pick your favorite language, and let your instrument sing.
Pankh Hote Toh Udd Aati Re
Panna ki tamanna hai ke
Parbato Ke Pedo Par
Pardesiya ye sach hai piya
Patta Patta Buta Buta
Pehla nasha pehla khumar
Phoolon Ka Taron Ka
Piya Bawari
Piya Haji Ali
Piya Re Piya Re
Piya to se naina lage re
Piya Tora Kaisa Abhiman
Puchho na kaise maine rain bitai
Pukarta chalaa hun mein
Pyar Diwana Hota Hai
Pyar hame kis mod pe le aya
Pyar ka pehla khat likhne me
Pyar manga hai tumhi se
Raat Kali ek khwaab mein aayee
Rahi tu ruk mat jana
Rajani gandha ful tumhare
Rang Barse Bhige Chunar Wali
Ranjish Hi Sahi
Rasik Balma
Rimjhim Gire Sawan
Rimjhim Rimjhim Rumjhum Rumjhum
Roop tera mastana
Roz Roz Ankhon Tale
Saiyara (Title Song)
Saiyyan (Heere Moti main na chahu)
Sanam Re sanam re
Santo Karam ki gati nyari
Sanwaar loon
Sapne me sajan se do batein
Sara Pyar Tumhara
Saranga teri yaad me
Sare Jahan Se Achha
Sare ke sare gama ko lekar
Sathiya tune kya kiya
Satyam Shivam Sundaram
Sau Saal Pehle Mujhe Tumse Pyar Tha…
Sawan Aaye Ya Na
Sawan ka mahina
Seene me jalan
Shaam Dhalti Rahe (Twin Strings)
Sham se ankh me nami si hai
Sharma ki dulhin – Fevicol: 1959, A Love Story (Fevicol Ad)
Shehar Ki Pariyo Ke Pichhe
Shree Ram Chandra Kripalu Bhajman
Mon Majhi Re
Mor bhabona re ki haway
Nayono Sorosi Keno
O Amar Desher Maati
O go nirupama
O Mor Moyna Go
Ogo Amar Agomoni (Mahalaya)
Phagunero mohanay
Prem Jeno Ek (Prem Boro Modhur)
Preme Pora Baron
Purano shei diner kotha
Ranaar Chhutechhe
Se dino akashe
Se Prothom Prem Amar Nilanjana
Se to elona
Sei raate rat chhilo purnima
Shanti Dao Shanti Dao (Bengali Devotional Song)
Shisire Shisire Sharodo Akashe
Tomar khola haowa
Tomay hrid majhare rakhibo
Tomay porechhe mone
Tumi Amar Nayan Go
Tumi jake bhalobasho
Tumi Robe Nirobe
Ureche Mon
A Whole New World
By the sleepy lagoon
Country Roads Take Me Home
Green Day “Boulevard Of Broken Dreams”
I wanna be adored
Jingle Bells Piano Notes
Kya Maine Socha (One Love)
My heart is beating
My Sweet Lord
Nearer my God to Thee (Titanic)
Nothing Else Matters… (Metallica)
Show me the meaning of being lonely
Thats my name
The Fields of Athenry
The Pogues – Kitty (Album Version)
Titanic theme song
When Marimba Rhythm Starts To Play
You’ll Never Walk Alone
Mala Ved Lagle Premache (marathi song)
Mendichya Panawar
Naath ha maajha (Marathi Song)
Sairat zalaa ji
Tula paahate re
Yaad Lagla g
Shyam rang samipe na jau
Dil diyan gallan
Japji Sahib Path
Je aitho kadi raavi langh jave
Mai ne main kinu aakhaan
Main tenu samjhawa ki
Pasoori
Samrath guru Sir hath dhario
Sohnea (Jinna-mera-tod-da-ae-dil)
Aaradhisuve Madanari
Baanigondu Yelle Yellide
Gamanisu
Kushalave kshemave
Nee Amruthadhaare
Neene Rama Neene Shaama
Prema Chandrama
Mahishasura Mardini Stotram
Thumbi wa thumpakkudathin
Idhu Varai
Kanmani Anbodu Kadhalan
Chirunavve Visiraave
Radhaku Neevera Pranam
Yeduta Nilichindi Choodu
Mandwa ke kaate kaate
Chautariko Bar Pipal (Nepali Song)
Jiu Dhanai Bhake Ni (Nepali Song)
Manike Mage Hithe
- CAPITAL LETTERS = Shuddh Swars (Natural Notes)
- small letters = Komal Swars (Flat Notes)
- M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
- Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
- Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
- Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
- Notes in { } = “murki” have to be played very fast without any pause
- A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
- A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
- Few “….” (dots) after a note = Play and hold that note