Category: Music Director
Celebrating Musical Legends: Explore the Music Directors Archive on NotesAndSargam.com
Music is timeless, and so are the maestros who composed the melodies we hum even today. At NotesAndSargam.com, we understand the passion of every music lover who dreams of playing their favorite tunes on instruments like the keyboard, harmonium, guitar, flute, or violin. That’s why our Music Directors archive is a heartfelt tribute to the legendary composers who gave Indian cinema its soul.
Whether you are a beginner seeking simple notations or a seasoned player exploring classic gems, our curated archive offers an extensive library of songs composed by India’s finest music directors. From the golden era to contemporary hits, our collection bridges generations and genres, connecting musicians to melodies that transcend time.
Legends Who Shaped Our Melodies
Our Music Directors section celebrates icons like R D Burman, whose innovative arrangements and genre-bending compositions gave Bollywood a new sound. Explore notations of his evergreen hits like Chura Liya Hai Tumne and Yeh Shaam Mastani, which remain favorites for instrumental covers.
We also feature the elegant and emotionally rich work of S D Burman, whose timeless creations like Abhi Na Jao Chhod Kar and Tere Mere Milan Ki Yeh Raina showcase his mastery over Indian classical and folk influences. Aspiring instrumentalists can now bring these treasures to life with our easy-to-follow notations.
No tribute would be complete without Laxmikant-Pyarelal, the dynamic duo behind unforgettable soundtracks like Dosti, Bobby, and Karz. Their music is melodious, dramatic, and perfect for instrumental adaptation—offering a rewarding challenge for musicians of all skill levels.
We also shine a light on the rhythmic brilliance of O P Nayyar, whose peppy and percussive style in songs like Ek Pardesi Mera Dil Le Gaya and Leke Pehla Pehla Pyaar bring a unique flavor to any performance.
Usha Khanna, one of the few successful female composers in Indian film music, finds a deserved place here. Her melodies like Hum Dono Do Premi resonate deeply and are a joy to learn and perform.
Modern composers like Pritam bring a fresh vibrance to the archive with chartbusters such as Tum Mile and Jeene Laga Hoon, blending Indian melodies with global sounds, and offering a modern touch to your instrumental repertoire.
A Resource for Music Enthusiasts
Every song in this archive comes with carefully crafted notations designed for self-taught musicians. The archive is constantly updated, making NotesAndSargam.com your go-to source for instrumental music notations across decades and styles.
Whether you’re playing solo, jamming with friends, or preparing for a performance, the Music Directors section helps you understand not only the tune but the context and creativity behind it.
Discover. Learn. Play.
Visit the Music Directors archive today to explore songs by your favorite composers and discover new ones you’ve never tried before. Let your instrument sing the songs of the legends, and keep the melodies alive—note by note.
O mere dil ke chain
Pal do pal ka sath hamara
Panna ki tamanna hai ke
Phoolon Ka Taron Ka
Piya Bawari
Pyar Diwana Hota Hai
Pyar hame kis mod pe le aya
Raat Kali ek khwaab mein aayee
Rimjhim Gire Sawan
Rimjhim Rimjhim Rumjhum Rumjhum
Roz Roz Ankhon Tale
Sare ke sare gama ko lekar
Se to elona
Tera mujhse hai pehle ka
Tere bina jiya jaye na
Tere bina zindagi se
Theme tune Sholay
Tu tu hai wahi dil ne jise
Tujhse naraz nahi zindagi
Tum bin jaun kahan
Tum se mil ke aisa laga
Tumne mujhe dekha
Wada karo nahi chhorogi
Yaadon Ki Baraat
Yamma Yamma
Ye Jawani Hai Diwani
Ye jo mohabbat hai
Ye kya hua
Ye Sham Mastani
Ye Zameen Ga Rahi Hai
Zindagi mil ke bitayenge
- CAPITAL LETTERS = Shuddh Swars (Natural Notes)
- small letters = Komal Swars (Flat Notes)
- M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
- Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
- Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
- Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
- Notes in { } = “murki” have to be played very fast without any pause
- A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
- A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
- Few “….” (dots) after a note = Play and hold that note