Following is the very basic tutorial on Raag Bhairavi. This Raag uses all the 12 swars, hence, performers find it very suitable to do experiments. For more information, you may like to explore more on the internet like Chandrakantha where more information on Raag Bhairavi is given.
Thaat : Bhairavi
Rass (Nature) : Virah, Milaap (Sad, Joy)
Jaati : Sampurna – Sampurna
Vikrit Swar : r g d n
Aroh (7 notes) : S r g M P d n S’
Avroh (7 notes) : S n d P M g r S’
Vaadi Swar : M (Shuddh Madhyam)
Samvaadi Swar : S (Shadaj)
Pakad : M g | S r S | d n S
Time for playing : Morning.
Songs based on : Raag Bhairavi
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raags Bahiravi may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
- Aaya hai mujhe phir yaad wo zalim
- Aye mere dil kahi aur chal
- Bhor bhaye panghat pe
- Chingari koi bhadke
- Dil aj shayar hai
- Dost dost n raha
- Hame tumse pyar kitna
- Ja re jare ud ja re panchhi
- Jeena yaha marna yaha
- Jiya jale jaan jale
- Kisi baat par mai kisi se khafa hu
- Ka karu sajni
- Laga chunri me daag
- Meethe bol bole
- Nache man more magan trikta dhigi dhigi
- Pyar hua ikrar hua hai
Sargam of following Songs on Raag Bhairavi are available on this site:
Tagore song – sudhu tomar bani nay go, hey bandhu hey priyoo , – based on which raag?
I think it should be in Raag Khamaaj, as it has both Shuddha Ni and Komal Ni, only Komal Ga but no Shuddha Ga