RAAG BHAIRAVI
Following is the very basic tutorial on Raag Bhairavi. This Raag uses all the 12 swars, hence, performers find it very suitable to do experiments. For more information, you may like to explore more on the internet like Chandrakantha where more information on Raag Bhairavi is given.
Thaat : Bhairavi
Rass (Nature) : Virah, Milaap (Sad, Joy)
Jaati : Sampurna – Sampurna
Vikrit Swar : r g d n
Aroh (7 notes) : S r g M P d n S’
Avroh (7 notes) : S’ n d P M g r S
Vaadi Swar : M (Shuddh Madhyam)
Samvaadi Swar : S (Shadaj)
Pakad : M g | S r S | d n S
Time for playing : Morning.
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raags Bahiravi may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
Sargam of following Songs on Raag Bhairavi are available on this site:
[pld_simple_list category=”110″ list_style=”ol” order=”ASC” orderby=”title”]
- Aye mere pyare watan
- Kar chale hum fida (Mishr Bhairavi)
- Jaha dal dal par sone ki
- Mera karma tu (dil diya hai)
- Aaya hai mujhe phir yaad wo zalim
- Aye mere dil kahi aur chal
- Dost dost n raha
- Ja re jare ud ja re panchhi
- Jeena yaha marna yaha
- Jiya jale jaan jale
- Kisi baat par mai kisi se khafa hu
- Laga chunri me daag
- Meethe bol bole
- Nache man more magan trikta dhigi dhigi
- Pyar hua ikrar hua hai