RAAG PAHADI

Following is the very basic tutorial on Raag Pahadi.  As the name suggests, this raag belongs to mountains. Natives of mountains composed folk melodies in this Raag.  For more information, you may like to explore more on the internet like soundofindia where more information on Raag Pahadi is given in detail. Thaat : Bilawal Rass (Nature) : Harsh, Virah Rass (Happy, Sad) Jaati : Audav – Sampurna Vikrit Swar : None Aroh (5 notes) : S R G P D S’ Avroh (7 notes) : S N D P M G R S’ Vaadi Swar : P (Pancham) Samvaadi Swar : S (Shadaj) Pakad : S D | P D | M G | P D S… Time for playing : Generally Evening, but not restricted.

SONGS BASED ON RAAG PAHADI

DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raags Pahadi  may not necessarily follow every rule of this Raag.  Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song. Same is the case while jotting down the notations of songs.  Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience. Sargam of following Songs on Raag Pahadi are available on this site:
  1. Aage bhi jane na tu
  2. Aja re Aja re o mere dilbar aja
  3. Chalo sajna jahan tak ghata chale
  4. Chand si mehbooba ho meri kab
  5. Chaudvin ka chaand ho
  6. Dil men ik lahar si uthi hai abhi
  7. Dil pukare aa re aa re are
  8. Diwana mujhsa nahi
  9. Ham aap ki aankhon mein is dil ko
  10. Husn pahado ka
  11. Janewalo zara mur ke dekho
  12. Jeet hi lengi baazi hum tum
  13. Jo wada kiya wo nibhana padega
  14. Karwate badalte rahe
  15. Kaun aya ke nigaho me chamak
  16. Panchhi banun udti phirun
  17. Phoolon ke rang se
  18. Sawan ke jhule pade tum chale aao
  19. Suhani Raat Dhal  Chuki
  20. Thaheriye hosh men aa lun to chale jaiyega
  21. Tujhko pukare mera pyar
  22. Tum mujhe bhool bhi jao
  23. Tum Pukar Lo
  24. Zulmi sang aankh ladi
How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
Find more from
Notations Library

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