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Sargam notations for the Hindi film song – Aur is dil me…

Singer : Suresh Wadekar, Asha Bhosle
Lyricist : Prakash Mehra,
Music Director : Kalyanji Anandji
Movie : Imaandaar (1987)

Pitch: G#

PRELUDE:
Aur | is | dil | men |
D… | nD | D…| M~G M~G~R…

kya | rakha | hai
D~n | D~P P… | M~G M~G~R…

Tera | hi | dard |
R G | M | GM…G |

chhupa | rakha | hai
R S~,n S~,n | S R… | R

MUSIC:
D…P | D…P | DP DP DP DP
D P M G R S ,n S R…

,D SR (M)P PM M
R GS SR R~,n ,D

,D SR (M)P PM M
R GS R
GR GR GR GR GR GR GR GR R

MUKHDA:
Aur | is | dil | men |
D | nD | D | M~G M~G~R…

kya | rakha | hai
D~n | D~P P… | M~G M~G~R…

Aur | is | dil | men |
D | nD | D | M~G M~G~R…

kya | rakha | hai
D~n | D~P P… | M~G M~G~R…

Tera | hi | dard |
R G | M | GM…G |

chhupa | rakha | hai
R S~,n S~,n | S R… | R GRS

Tera | hi | dard |
R G | D | M…G |

chhupa | rakha | hai
R S~,n S~,n | S R… | R

Chir | ke | dekhe |
D… n | D | D M~G M~G~R…

dil | mera | to
D~n | D~P P… | M~G M~G~R…

Chir | ke | dekhe |
D… n | D | D D

dil | mera | to
{DnS’} | nD~P P… | M~G M~G~R…

Tera | hi | naam |
R G | M | GM…G |

likha | rakha | hai
R S~,n S~,n | S R… | R GRS

Tera | hi | naam |
R G | D | M…G |

likha | rakha | hai
R S~,n S~,n | S R… | R

INTERLUDE:

Saxo:
RD… nS’n | DnD P…
P DP | PDPM | M P(D)PMP D…
nS’n | DnD P…
P DP | PDPM… | GR

Guitar:
,DS | R MG | R GR | S RS
,DS | R MG | R | S RS ,D

Violins:
,DS | R MG | R GR | S RS
,DS | R M PD

ANTARA 1:
Pyaar | ke | afsaane |
M# M# | P | DD D D

sune | the | logon | se
M# M# | P | D… D… | D

Pyaar | kya | hota | hai |
G G | M | P…P.. . | P

ye | tune | samajhaaya
S’ | S’S’ | nS’ n~D D

MUSIC:
Saxo:
R’S’ nS’ nD

Mila | dil | tujh | se | to |
M^ M^ | P | DD | D | D

khwaab | dekhe | aise
M^ M^ | P D | D D

Junu | jaane | kaisa |
G G | M P | P P

jawaan | dil | pe | chhaaya
S’ S’ | S’ | nS’ | n~D D

Dil | men | aisa | dard | uthha, |
D | n~D | D n~D | D n | D D

dil | ho | gaya | diwaana
n~D | D~S’ | S’~n | n~D D~P P

dil | ho | gaya | diwaana
P | P~D | D~P | M~G G MGR

Diwaanon | ne |
D n~D D | M~G M~G~R

is | duniya | men, |
D n | D~P P | M~G M~G~R

Diwaanon | ne |
D S’~nS’~D D | D

is | duniya | men, |
nS’ | nD~P P… | M~G M~G~R…

dard | ka | naam |
R G | M | GM…G |

dawa | rakha | hai
R S~,n S~,n | S R… | RGRS

dard | ka | naam |
R G | D | M…G |

dawa | rakha | hai
R S~,n S~,n | S R… | R

Aur is dil me…

INTERLUDE:
Violins+Saxo:
M^ R’ S’ R’….| M^ S’ n S’…. (x2)
D… n… S’nDP D P MP
D… n… S’nDP D

ANTARA 2:
(Same notations)
Nigaahon | men | meri |
ye | surat | hai | teri
Zindagi | ye | meri |
amaanat | hai | teri
Dhadkate | sine | men |
mohabbat | hai | teri
Mohabbat | ye | teri, |
ibaadat | hai | meri
Tere | siwa | kuchh |
yaad | nahin | hai, |
tu | hi | tu | dil | men
tu | hi | tu | dil | men
Dil | ne | yaar | ki |
puja | ki | hai, |
pyaar | ka | naam |
khuda | rakha | hai

If you’re someone who believes in the magic of old-school Bollywood romance, then “Aur Is Dil Mein Kya Rakha Hai” from the 1987 film Imaandaar is definitely a song that will strike a chord. With soulful voices of Asha Bhosle and Suresh Wadkar, and music by the legendary duo Kalyanji-Anandji, this one’s a straight shot to the heart. And let’s not forget the words by Prakash Mehra – simple yet powerful, making you feel every bit of that bittersweet love.

The song is pure nostalgia. The way it captures the longing and those unsaid emotions – it’s no surprise that listeners still relate to it decades later. The line “Tera hi dard chhupa rakha hai” is something anyone who’s ever been in love (and maybe a little heartbroken) can instantly connect with.

And then there’s Sanjay Dutt and Farha, bringing the words to life on screen. You can practically feel the ache in their eyes. Fans have often said how this song reminds them of their own stories — the one that got away, the one they’re still holding on to, or the one they’re too scared to confess to.

What makes this song stand out, though, is its simplicity. No grand sets or flashy visuals — just pure, unfiltered emotion. That’s what classic Bollywood did best, right? If you haven’t heard “Aur Is Dil Mein Kya Rakha Hai” in a while, maybe it’s time to hit play, close your eyes, and let it take you back to that one moment your heart skipped a beat.

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
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