Singer : Suresh Wadekar, Asha Bhosle
Lyricist : Prakash Mehra,
Music Director : Kalyanji Anandji
Movie : Imaandaar (1987)

Scale of flute I used : F#

PRELUDE:
Aur | is | dil | men |
D… | nD | D…| M~G M~G~R…

kya | rakha | hai
D~n | D~P P… | M~G M~G~R…

Tera | hi | dard |
R G | M | GM…G |

chhupa | rakha | hai
R S~,n S~,n | S R… | R

MUSIC:
D…P | D…P | DP DP DP DP
D P M G R S ,n S R…

,D SR (M)P PM M
R GS SR R~,n ,D

,D SR (M)P PM M
R GS R
GR GR GR GR GR GR GR GR R

MUKHDA:
Aur | is | dil | men |
D | nD | D | M~G M~G~R…

kya | rakha | hai
D~n | D~P P… | M~G M~G~R…

Aur | is | dil | men |
D | nD | D | M~G M~G~R…

kya | rakha | hai
D~n | D~P P… | M~G M~G~R…

Tera | hi | dard |
R G | M | GM…G |

chhupa | rakha | hai
R S~,n S~,n | S R… | R GRS

Tera | hi | dard |
R G | D | M…G |

chhupa | rakha | hai
R S~,n S~,n | S R… | R

Chir | ke | dekhe |
D… n | D | D M~G M~G~R…

dil | mera | to
D~n | D~P P… | M~G M~G~R…

Chir | ke | dekhe |
D… n | D | D D

dil | mera | to
{DnS’} | nD~P P… | M~G M~G~R…

Tera | hi | naam |
R G | M | GM…G |

likha | rakha | hai
R S~,n S~,n | S R… | R GRS

Tera | hi | naam |
R G | D | M…G |

likha | rakha | hai
R S~,n S~,n | S R… | R

INTERLUDE:
Saxo:
RD… nS’n | DnD P…
P DP | PDPM | M P(D)PMP D…
nS’n | DnD P…
P DP | PDPM… | GR

Guitar:
,DS | R MG | R GR | S RS
,DS | R MG | R | S RS ,D

Violins:
,DS | R MG | R GR | S RS
,DS | R M PD

ANTARA 1:
Pyaar | ke | afsaane |
M# M# | P | DD D D

sune | the | logon | se
M# M# | P | D… D… | D

Pyaar | kya | hota | hai |
G G | M | P…P.. . | P

ye | tune | samajhaaya
S’ | S’S’ | nS’ n~D D

MUSIC:
Saxo:
R’S’ nS’ nD

Mila | dil | tujh | se | to |
M# M# | P | DD | D | D

khwaab | dekhe | aise
M# M# | P D | D D

Junu | jaane | kaisa |
G G | M P | P P

jawaan | dil | pe | chhaaya
S’ S’ | S’ | nS’ | n~D D

Dil | men | aisa | dard | uthha, |
D | n~D | D n~D | D n | D D

dil | ho | gaya | diwaana
n~D | D~S’ | S’~n | n~D D~P P

dil | ho | gaya | diwaana
P | P~D | D~P | M~G G MGR

Diwaanon | ne |
D n~D D | M~G M~G~R

is | duniya | men, |
D n | D~P P | M~G M~G~R

Diwaanon | ne |
D S’~nS’~D D | D

is | duniya | men, |
nS’ | nD~P P… | M~G M~G~R…

dard | ka | naam |
R G | M | GM…G |

dawa | rakha | hai
R S~,n S~,n | S R… | RGRS

dard | ka | naam |
R G | D | M…G |

dawa | rakha | hai
R S~,n S~,n | S R… | R

Aur is dil me…

INTERLUDE:
Violins+Saxo:
M# R’ S’ R’….| M# S’ n S’…. (x2)
D… n… S’nDP D P MP
D… n… S’nDP D

ANTARA 2:
(Same notations)
Nigaahon | men | meri |
ye | surat | hai | teri
Zindagi | ye | meri |
amaanat | hai | teri
Dhadkate | sine | men |
mohabbat | hai | teri
Mohabbat | ye | teri, |
ibaadat | hai | meri
Tere | siwa | kuchh |
yaad | nahin | hai, |
tu | hi | tu | dil | men
tu | hi | tu | dil | men
Dil | ne | yaar | ki |
puja | ki | hai, |
pyaar | ka | naam |
khuda | rakha | hai

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note

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