Jogi Jab Se tu Aya Mere Dware

Sargam (notations) for song O jogi Jab Se tu aya mere dware

Singer : Lata Mangeshkar
Lyrics : Shailendra
Music : S D Burman
Film : Bandini (1963)

Jogi | jab | se too | aaya | mere | dware (2)
RR | GM | G(M)G~R | R~S | SR | RR

O Mere rang gaye
S~N | DNDP | DS | SR

sanj sakare
RG | R(S)R R~M G~M

Too | toh | aakhiyo se
R | R | GM G(M)G~R

jane | ji | ki | batiya
RR~S | S | S | SRR

O | Tose | milana | hi
S~N | DNDP | DS | SR

julm | bhaya | re
RRG | R(S)R R~M G~M

naina | judaye
D~GG | GG~M

Dekhi | sawali | surat
GR | R~SS~G | RSN

Teree | chhab | dekhi | jab,
RR | RRG | GG | RRP

teree | naina | judaye
MG | R~SS~G | SND

Bhaye | bin | kajra | yeh | kajrare
DP | DS | SRR | R | GRS~RR~MG~M

CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note