Eki labonye purno prano

Sargam for Rabindra Sangeet Eki Labonye purno pran

Labonye | purno | pran
NS’NPM | M~GG | R~.N S

pranesh | he
RGM G | M

Aanondo | basonto | samagome
M M~RR | G GRS | R SRS .NS

Eki | labonye | purno | pran
S’S’ | NS’NPM | M~GG | R~.N S

pranesh | he
RGM G | PM

Aanondo | basonto | samagome
M M~RR | G GRS | R SRS .NS

Aanondo | basonto | samagome
M M~RR | G GRS | R SRS .NS

Bikosito | pritikusum | He
g’g’R’g’ | R’R’ | R’ S’ N | S’…

He e ee e ey
{NS’R’g’ RRSNDP MGRSND
PDNSRG MPDNSR’}

Bikosito | pritikusum
g’g’R’g’ | R’R’ | R’ S’ N

Pulokito | chito | kanone
S’N PM | G R | GMP~n’

Eki labonye…

Jibonlota | abonota
MPM GRG | R.NS .N ~S.N

tabo | charone
S g | rg~rg M P

[Repeat notes from Bikosito pritikusum… for following]

CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note