Darshan Do Ghanshyam Nath

April 7, 2023
1950-59, Devotional, Hemant Kumar, Hindi, Manna Dey, Raag Kedar, Raag Kedar Based, Ravi, Sargam

Singers: Hemant Kumar, Sudha Malhotra, Manna De

Poet : Surdas
Music : Ravi
Movie : Narsi Bhagat (1957)

Raag : Kedar
Aroh : S M P D N S’
Avroh : S’ N D P M# R S…

MUKHDA:

Dar shan | Do | Ghan shyam | Nath |
SS MM | M | MG P P | PD

Mori | Ankhiyan | Pya si | Re.
M P | DS’ D~P | MP MPDP | M…{RMPM}R S

Dar shan | Do | Ghan shyam…
SS MM | M | MG M~GP…

Man | Mandir | Ke | Jyot | Jaga | Do, |
P P | S’ S’ | S’~N~D | DNS’ | R’ NS’~NS’ | D~P

Ghat | Ghat | Vasi | Re
PP | PP | MP{DS’DP} | M…{RMPM}R S

Dar shan | Do | Ghan shyam…
SS MM | M | MG M~GP…

ANTARA 1:

Mandir | Mandir | Moorat | Teri, |
P PP | S’ S’S’ | S’ S’S’ | N R’S’

Phir | Bhe | Na | Deekhe | Soorat | Teri
N | N | D | N NS’R’ | S’ NS’ | D…P

Aalap: Aaa…
P…. | MPDP M… | RMPM RS
,N S | M G | P M | D P |
NS’ | G’M’ | R’G’R’G’ S’

Mandir | Mandir | Moorat | Teri, |
P PP | S’ S’S’ | S’ S’S’ | N R’S’

Phir | Bhe | Na | Deekhe | Soorat | Teri
N | N | D | N NS’R’ | S’ NS’ | D…P

Yug | Bete | Na | ae | Milan | Ki |
S’ G’ | G’~M’~R’ | S’ | N N | S’~D~P | P

Pooran | masi | Re.
MP PP | MP {DS’DP} | M…{RMPM}R S

Dar shan | Do | Ghan shyam…
SS MM | M | MG M~GP…

ANTARA 2:

Dvar | Daya | Ka | Jab | Too | Khole, |
P P | P S’ | S’ | S’ S’ | S’ | N R’ S’

Pancham | Sur | Mein | Goonga | Bole.
N ND | N | NS’R’ | S’ NS’NS’ | N~D~P

Andha | Dekhe | Langada | Chal | Kar |
G’ G’~M’ | R’~S’ S’ | N N NS’ | D~P | P

Panhuche | Kashi | Re.
M PP | MP {DS’DP} | M…{RMPM}R S

Dar shan | Do | Ghan shyam…
SS MM | M | MG M~GP…

[Follow same notations for rest of the son…]

ANTARA 3:
Pani | Pi | Kar | Pyas | Bujhaoon |
Nainan | Ko | Kaise | Samajaoon
ankh | Michaule | Chhodo | Ab | To |
Man | Ke | Vasi | Re

ANTARA 4:
Nirbal | Ke | Bal | Dhan | Nidharn | Ke, |
Tum | Rakhavale | Bhakt | Janon | Ke.
Tere | Bhajan | Mein | Sab | Sukh | Paoon, |
Mite | Udasi | Re.

ANTARA 5:
Nam | Jape | Par | Tujhe | Na | Jane, |
Unako | Bhe | Too | Apana | Mane.
Tere | Daya | Ka | Ant | Nahin | Hai, |
He | Duhkh | Nashi | Re.

ANTARA 6:
Aj | faisla | Tere | Dvar | Par, |
Mere | Jeet | Hai | Tere | Har | Par.
Har | Jeet | Hai | Tere | Main | To, |
Charan | Upasi | Re.

ANTARA 7:
Dvar | Khada | Kab | Se | Matavala, |
Mange | Tum | Se | Har | Tumhare.
Narase | Ke | Ye | Binate | Sunalo, |
Bhakt | Vilasi | Re.

ANTARA 8:
Laj | Na | Lut | Jae | Prabhu | Teri, |
Nath | Karo | Na | Daya | Mein | Deri.
Tin | Lok | Chhod | Kar | ao, |
Ganga | Nivasi | Re

CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note

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One Response

Ravindra Kathale says:

October 5, 2023 at 9:09 pm

why not also mention the taal of the song? in fact it would be very helpful if the notation is given as per the beats of the taal.

Reply