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Duronto Ghurnir Eyi Legechhe Paak

Sargam for Song: Duranta Ghurnir Ei Legechhe Paak
Singer : Hemanta Mukherjee
Music Director: Salil Chowdhury
Lyricist: Salil Chowdhury
Album: Chyanika (1958)

Scale : C#

PRELUDE
Guitar:
P R P | MM G M
P R P |

Flute:
R G | R N | N DP
P(D)P | M G | M P D
M(G)M gM | M P D
GM PD | P MP

Accordian:
P… MP DG…
{MRGR}M… {DPMP}x4 {DPMGR}

Mandolin:
R’ DR’S’ DS’ DS’ NP
R’ DR’S’ DS’ DS’ NP R

MUKHDA:
Duronto | Ghurni |
P P G | R P |

ei | legeche | pak
P | G R R | M

Ei | duniya | ghore |
R | R GMP | D N

bon | bon | bon | bon
S’R’ | R’ | R'(G)R’ | S’N

Chonde | chonde |
S’~R’~D | D~N~D

koto | rong | bodlay
P M | P~D | DD {DNDPM}

Rong | bodlay | (x2)
P | P P P

ANTARA 1:
Kokhono | pingol |
NN D | P G

kokhono | sobuj
S’S’S’ | N S’

Kokhon | bujhi | ar |
M M | M M | G~M

kokhon | obujh
P M | G R

Hriday | dile | jar |
NN | D P | G

hriday | mele
S’ S’ | NS’

Hriday | jabe | se | kal, |
M M | M M | M | G~M

pothe | fele
P M | G R

Golok | dhadha | re | vai, |
P P | G R | R | P |

tai | legeche | tak
P | G R R | M

Ei | duniya | ghore |
R | R GMP | D N

bon | bon | bon | bon
S’R’ | R’ | R'(G)R’ | S’N

Chonde | chonde |
S’~R’~D | D~N~D

koto | rong | bodlay
P M | P~D | DD {DNDPM}

Rong | bodlay | (x2)
P | P P P

ANTARA 2:
O… | ei | ghuronto |
R’…. | R’~G’ | R’ N D P

nagor | dolay
S’ N | D P M G R

Kokhon | kaday | ar |
R M~G | M P | D

kokhon | vulay
D (N)D | M P

(Repeart notes of Anatara 1)
Kokhon | sada | ar |
kokhon | kalo
Kokhon | mondo | je |
kokhon | valo

Jiban | juyay | bir |
jite | gele
Bokar | hoddo | jodi |
here | gele | (x2)
Kopal | mondo | aaj
Kal | chiching | fak

Ei | duniya | ghore ….

advt.

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
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