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Sathiya tune kya kiya

SARGAM notations for a melodious romantic song Sathiya tune kya kiya
Singers : SP balasubramanian, chitra
Lyrics : Majrooh Sultanpuri
Music : Anand Milind
Movie : Love (1991)

What a beautiful composition!  Though the entire song is so lovely, but the most tricky yet melodious part to play in this song is the “Lalalalala…”

Just divide this part into 5 and practice one part at a time until you master it and then play all these parts slowly first and build up speed gradually.  Once you are able to play these 5 parts together, you will find a different kind of satisfaction as I did.  Good luck and enjoy!

Notes & Sargam is the first website on the internet to jot down the sargam for the tricky part in this song.

Sathiya | tune | kya | kiya
S’ N P | G P | S’ | N P

Beliya | tune | kya | kiya
S’ NDP | G P | S | NDP

Maine | kiya
G RR G | P G RR

tera | intezar
N S G RR | G P G RR G..P

Itna | karo | na
P M | R G | RR

mujhe | pyar
N R | R~S {RGSR} {GMRG} P

Itna | karo | na
PM | R G | RR

Mujhe | Pyar
N R | R~S…

Itni | mohabbat
S’ N | S’ P P

Sehna | sakunga
S’ N | S’ P P

Sach | mano | zinda
n | D n | M M

Rehna | sakunga
MM D | S’ D~P P

(Repeat for following…)
Tujhko sambhalu
Ye mera jimma
Main hu to kya gam
Jane tamanna

Ab | jeena | marna | sanam
S | G P | S’ N | P PG {DPDP GR}

Janam | tere | hath | hai
NN | S R | P R | G

(Repeat for following…)
Maine | kaha | na | sanam
Ke tu | mere | sath | hai

To fir sambhal
P | M | R G

La la | lala | la
S G | PG | S

Ye | mai | chala
S’ | N | P D

La la | lala | la
MD | S’D | G

Jana | kahan
P M | R G

La la | lala | la
S G | PG | S

Aa | dil me | aa
S’ | N P | D

Lala lala | lala lala
M D S’ D | R M D M

Lala lala | lala lala
R M D M | G P N P |

Lala | la la
G P | N N

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How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
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