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Ogo Amar Agomoni free sargam notations

Ogo Amar Agomoni (Mahalaya)

Sargam notation for Bengali Mahalaya Song – Ogo Amar Agomoni

Singer : Jayati Chakraborty
Music Director: Pankaj Kumar Mullick
Lyricist: Bani Kumar

Pitch : C#

Although its a traditional song and have been sung by various singers since ages, but the notations given below is from the version sung by Jayati Chakraborty.

A difficult song to pull of on instruments, especially for the beginners, but a little practice of low octave notes can be beneficial.

MUKHDA:

Ogo | Amar | Agamani | Alo (x2)
,N ,D,nR | ,N,D,N ,D,P,D | ,N,N G G G | G RG R,N ,NG R G

Jalo | Pradip | Jalo, | Jalo
G G | GGP RG | G(D)PD PDND PG | G RGP (S)G~R G~,N

Ogo Amar Agamani..

ANTARA 1:

Ei | Shoroder | Jhonjhabaate
(R)~G | GP RG | G DP P D N

Nishar | Sese
G N N | N~D~N~D~P

Rudro mate….
PDPD D D D… PDPN DNP D G

Ei | Shoroder | Jhonjhabaate
(R)~G | GP RG | G DP P D N

Nishar | Sese
G N N | D N D~P

Rudro mate….
P DD D D

Nibhlo | Amar
P D | N R’ NR’G R’G’R’G’ R’G’ R’~N

Pother | Bati
G N N | D~P~D P G

Nibhlo | Praner | Alo
G N N | D~P~D P GM | R G…M R(G)R G ,N

Ogo Amar Agamani…

ANTARA 2:

Ogo | Amar
,N,N R | ,N,D,N ,D,P,D ,N GR GR G

Pothh | Dekhano | Alo
G G | GP RG | G D P D

Jibon | jyoti | ruper | Sudha
D N..N | N~D~N D~P | P DD | D~P~D P G

Dhalo | Dhalo | Dhalo
G NN | D~P~D P G | R G…M R(G)R G ,N

Dik | Harano | Sonka pothe | Aasbe….
G~R | G D~P D | D~NN N N | D~N DD~P P~N D~N… D~N~P~N…

Dik | Harano | Sonkapothe | Aasbe….
G~R | G D~P D | D~NN N N | D~N D~P~N…

Arun | Rothe | Aasbe | Kokhon | Aasbe
,N,N N | D~P~D D | D~P~D D | D D D | PD PN D

Tutbe | Pother | Nibir |
{PDNR’G’}R’~N | D PDN…D(N)D | D PDN D(N)D…

Aadhar | Sokol | Nishar | Kalo
G RGP | ,N,N…R | ,D~,N ,D~,P~,D | ,N~G~R~G

Bajao | Alor | Kontho | Bina
R G | D~P P D | PDN N | D~P~D P G

Ogo | Porom | Bhalo | Porom | Bhalo
G GN | DN DP | P D | D D N | PD…N P~D~P D G

Ogo Amar Agamani Alo…

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
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