Sargam notations for the song – Jhanak Jhanak Tori Baje Payaliya…

Singer : Manna Dey
Lyricist : Hasrat Jaipuri
Music Director : Shankar Jaikishan
Movie : Mere Huzoor (1968)

Based on Raag Darbari
Taal : Teen-taal

Pitch : E

PRELUDE:
Alaap:
S~,n…SR…gRgRgR S…
P}}}M n M~g gM… {gRS,n,d}…
,n…SR…g S…

MUKHDA:
Jhanak-jhanak | tori | baje | payaliya
(Sg)R R ,nSS | RgS R | RP M~g | gM RRg S,n,d,n

Jhanak-jhanak | tori | baje | payaliya
(Sg)R R ,nSS | RgS R | RP M~g | gM RRg S

Preet | ke | geet | sunaaye | payaliya
M P | P | P~S S | SS~g g | gM RR S,n,d,n

Jhanak-jhanak | tori | baje | payaliya
(Sg)R R ,nSS | RgS R | RP M~g | gM RRg S,n,d,n

Jhanak-jhanak | tori | baje | payaliya
(Sg)R R ,nSS | RgS R | RP M~g | gM RRg S

Preet | ke | geet | sunaaye | payaliya
M P | P | P~S S | SS~g g | gM RR S,n,d,n

Jhanak-jhanak | tori | baje | payaliya
(Sg)R R ,nSS | RgS R | RP M~g | gM R,n ,nS…


INTERLUDE:
Aalap:
(n)S’….(r)S n~d n~P

ANTARA 1:

Rang-mahal | aur | rain | suhaani
M P P n~d | n~d | S’ S’ | S’ n S’….r’S’nd…

Aaaa…
dnS’ dnS’… r’S’nd…
n S’ R’… g’R’S’n
dn dnS’

Rang-mahal | aur | rain | suhaani
M P P n~d | n(r’)n~d | n~S’ S’ | S’ n S’

Chham-chham | naache | mast | jawani
PR’ R’R’ | R’~g’S’ S’ | S’R’nS’R’ | S’ n~d n~P

Main | lehron | mein | khoya | jaaun
PR’ | R’R’ R’…| R’ | g’R’S’nd | nS’dnS S'(r)S’n…S’R’

Main | lehron | mein | khoya | jaaun
PR’ | R’R’ R’…| R’ | g’R’S’nd | n~S’ S’~P

Aisi | dhoom | machaye | payaliya
M P | P~S S | SS~g g | gM RR S,n,d,n

Jhanak-jhanak tori…

INTERLUDE:
Aalap:
(S’)R’… g’R’ S’~n S’~P

ANTARA 2:

Ye | kajrari | chanchal | ankhiyaan
M | PP n~d n | S’ S’S’ | nn~S’… (r’)S’ n~d

Ankhiyaan, | ankhiyaan, |
d n S’ndn S’…. (r’)S’ n~d | dnS’nDnS’R’….

chanchal | ankhiyaan, | ankhiyaan
{nS’R’g’}R’S’ | S’S’ R’~n | S'(r’)S’ n~d n~P

Ye | kajrari | chanchal | ankhiyaan
M | PP n~d n | S’ S’S’ | nn~S’~P

Honth | gulabi | phool | ki | pattiyaan
PR’ R’ | R’ R’~g’S’ S’ | S’R’nS’R’ | S’ | n~d n~P

Lat | bikhre | to | gaal | pe | thehre
PR’ | R’R’ R’…| R’ | g’R’S’nd | d | n nS’dnS S'(r)S’n…S’R’

Lat | bikhre | to | gaal | pe | thehre
PR’ | R’R’ R’…| R’ | g’R’S’nd | d | n nS’ S’~P

Hosh | jiya | ki | udaaye | payaliya
MP | P P~S’ | S’ | S’S’~g g | gM RR S,n,d,n

Jhanak-jhanak tori…

INTERLUDE:
Aalap:
n~d~g’…r’…S’…n~d n~P

ANTARA 3:

Indradhanush | ka | loch | kamariya
MP P nd | n~d | n~S’ S’ | S’nn~S’~P…

SARGAM:

Ma-pa-dha | ni-sa-re-dha | re-dha-ni |
MP n~D | nS’R’ n~d | R’ d~n

ma-pa-dha-ni | sa-re re-re-re | re-ga-re-ga | sa-re-ni
M P dn | S’R’ R’R’R’ | R’gR’g’ | S’R’n

Ni-sa-re, | dha-ni-sa, | pa-dha-ni-ma
n S’ R’ | d n S’ | P d n M

Pa-dha-ni |sa-re-ga… ma-re-sa | sa-ni-pa
P d n | S’ R’ g'(M’)g’… M’ R’ S’ | S’ n S’~P

Indradhanush | ka | loch | kamariya
MP P nd | n~d | n~S’ S’ | S’nn~S’~P…

Brindavan | ki | jaise | gujaraiya
PR’ R’ R’~S’| S’ | S’R’nS’R’ | S’ n~d n~P

Bhav nirat | se | karde | jaadu
PR’ R’ | R’R’R’ | R’…| S’ n d | n nS’dnS S'(r)S’n…S’R’

Bhav nirat | se | kar | de | jaadu
PR’ | R’R'(g’)R’…| R’ | g’R’S’nd | d | n nS’ S’~P

Aag | mein | aag | lagaaye | payaliya
MP | P | P~S’ S’ | S’S’~g g | gM RR S,n,d,n

Jhanak-jhanak…

CONCLUDE:

Jhanak-jhanak | tori | baje | payaliya
RRR ,nSR | RP | Mg | M RR S

Preet | ke | geet | sunaaye | payaliya
MP | P | PS’ | S’S’g | M rrS

Jhanak-jhanak, | jhanak-jhanak, | jhanak
RRR ,nSS | RRR ,nSS | RRR

Jhanak-jhanak | tori | baje… | Payaliyaaa…
RRR n S S | R R | RP M~g… | M~R R S,n,d {,d,nSR}…S…

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note

advt.

Find more from
Notations Library

advt.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

NEED THE NOTATIONS URGENTLY? GET THEM IN 72 HOURS. GUARANTEED.

sARGAM-request

ISN'T THIS WHAT YOU WERE LOOKING FOR? LET US KNOW.