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How to read SARGAM
  • CAPITAL LETTERS = Shuddh Swars (Natural Notes)
  • small letters = Komal Swars (Flat Notes)
  • M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } = “murki” have to be played very fast without any pause
  • A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
Latest Update
raag bageshri

Raag Bageshri

RAAG BAGESHRI Following is the very basic information on Raag Bageshri.  For more information, you may like to explore more on the internet like wikipedia where more information on Raag Bageshri is given in detail. Thaat : Kafi Rass (Nature)

raag ahir bhairav

Raag Ahir Bhairav

RAAG AHIR BHAIRAV Here is an easy tutorial for Raag Ahir Bhairav.  Following is the very basic information on Raag Ahir Bhairav.  For more information, you may like to explore more on the internet like tanarang.com where more information on

indian classical music

Popular Raag

Some Popular Raag in Indian Classical Music Learn the basic concept of Raag in Hindustani Classical Music.  The following introductions have been devised keeping in mind the level of understanding of beginners so that they do not get confused with

Raag Based Songs

RAAG BASED SONGS (89) We have collated Hindi songs based on various Raag. This list will keep growing. We also have a separate section that gives your basic information on Hindustani Classical music from a layman’s point of view, which

raag bhairav

Raag Bhairav

RAAG BHAIRAV Thaat : Bhairav.  Learn 10 Thaats of HCM in an easy method.  Rass (Nature) : Virah, Bhakti Rass (Sadness, Devotional) Jaati : Sampoorn Vikrit Swar : Komal Rishabh (r), Komal Dhaivat (d) Aroh (7 notes) : S r

Alankars

ABOUT ALANKARS Practising Alankars everyday is the best way to become proficient in playing Bansuri or for that matter, any other instrument.  Alankars are the logical patterns of Swars which should be played along with Taal (beats).  You can take

Alankars (Set #13)

Alankars.  Practice the following Alankars daily to become proficient in moving your fingers on flute. .P.P.P.P .D.D.D.D .N.N.N.N SSSS RRRR GGGG MMMM PPPP DDDD NNNN S’S’S’S’ R’R’R’R’ G’G’G’G’ G’G’G’G’ R’R’R’R’ S’S’S’S’ NNNN DDDD PPPP MMMM GGGG RRRR SSSS .N.N.N.N .D.D.D.D

Alankars (Set #11)

Alankars.  Practice the following Alankars daily to become proficient in moving your fingers on flute. .P.D.N .D.NS .NSR SRG RGM GMP MPD PDN DNS’ NS’R’ S’R’G’ R’G’M’ G’M’P’ P’M’G’ M’G’R’ G’R’S’ R’S’N S’ND NDP DPM PMG MGR GRS RS.N S.N.D

Alankars (Set #10)

Alankars.  Practice the following Alankars daily to become proficient in moving your fingers on flute. .P.P .D.D .N.N SS RR GG MM PP DD NN S’S’ R’R’ G’G’ M’M’ P’P’ P’P’ M’M’ G’G’ R’R’ S’S’ NN DD PP MM GG

Alankars (Set #9)

Alankars.  Practice the following Alankars daily to become proficient in moving your fingers on flute. .D .P .N .D S .N R S G R M G P M D P N D S’ N R’ S’ G’ R’ M’

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