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Sargam notations for the full song Aap Ke Kamre Mein koi rehta hai…

Singers : Kishore Kumar, Asha Bhosle, R. D. Burman
Lyrics : Majrooh Sultanpuri
Music : Rahul Dev Burman
Film : Yaadon Ki Baaraat (1973)

Scale: B

This song is the ramake of Bengali song “Bondho Daarer Ondhokare Thakbo Na…” also composed by R D Burman and sung by Kishore Kumar.  So with the following notations, if you wish to play the Bengali version, you can easily do so.

MUKHDA:

Aa p ke | Kam re | Mein |
G G R | RR S | R

Ko yi | Reh ta | Hai |
,nS ,D,n | SS RG | RS

TaRaRa | Ra Ra Ra
{S,N,D} | ,n S r

Hum | Na hin | Keh te |
r | r r | {grS} S

Za ma na | Keh ta | Hai |
g rg Sr | ,n,n S r | {,nS,n,D}

TaRaRa | Ra Ra Ra Ra
{S,N,D} | ,n S R G

Aapke | Kamre | Mein |
Koi | Rehta | Hai |
Ta | Ra | Ra | Ra
Hum | Nahin | Kehte, |
Zamana | Kehta | Hai |
Ta | Ra | Ra | Ra

Aa p ke | Kam re | Mein |
G G R | RR S | R

Ko yi | Reh ta | Hai |
,nS ,D,n | SS MG | M

ANTARA 1:

Hum | Aa~j | U dhar |
M | M~S | M M

Se | Ni k le | To, |
P | P P P | P

Ba de | In ta zam | Se
P P(d)P | M P D(n)D D | D

Gi ra | Ra ha | Tha | Ko~i | Par da
D D(S’)D | D PM | M | M~R | R R(M)g

Haye | Sa re | Shaa m | Se
g | P P | {DPMPD} PM | M

U dhar | Aap | Ki | Pho to | Se, |
M M~S | M M | P | P P | P

Sa ji | Dee waar | Pe
P P(d)P | MP D D | D

Pa daa | Hu a | Tha | Ek | Saya, |
D D(S’)D | D PM | M | MR | R R(M)g

Ba de | Aa ra am | Se
g g | P {DPMPD} PM | M

Aapke Kamre Mein…

ANTARA 2:

Ma gar | Jo | Ek | Din |
M M~S | M | MM | P

Main | Guzri, |
P | P P P

Gali | Mein | Sar kaar | Ki
P P(d)P | M | P D(n)D D | D

Ta bhi | Se | Chal ti | Ha~ye | Dil | Pe
D D(S’)D | D | PM M | M~R | R | R(M)g

Ha ye | Tal waa r | Si
M g | PP {DPMPD} PM | M

Da b~i | Dabi | Hal ki | Hal ki
M M~S | MM | P P | P P

Ha si | Ki | Ta naa v | Mein
P P(d)P | M | P D D | D

Ma chal | Ra hi | Thi | Chu di | ki, |
D D(S’)D | D PM | M | M~R R | R(M)g

Haye | Cha n kaa r | Si
g | P P {DPMPD} PM | M

Yeh | Na | Sam jho
G | G | R R |

Ko yi | Gafil | Rehta | Hai
S R | ,nS ,D,n | SS RG | RS

TaRaRa | Ra Ra Ra
{S,N,D} | ,n S r

Hum | Na hin | Keh te |
r | r r | {grS} S

Za ma na | Keh ta | Hai |
g rg Sr | ,n,n S r | {,nS,n,D}

LaLaLa La | La La La | Aa p ke
{S,N,D} ,n | S R G | G G R

Na | Na | Aa p ke
G | G | G G R

Na | Na | Na
G | G | G

Aapke | Ka m re | Mein |
G G R | R R S | R

Koi | Rehta | Hai
,nS ,D,n | SS MG | M

ANTARA 3:
(Same Notations)

Agar | Main | Kahu | Jo | Dekha, |
Nahi | Tha | Woh | Koi | Kwaab
Padaa | Tha | Table | Pe | Chasma, |
Woh | Kiska | Janaab
Gore | Gale | Mein | Woh | Muffler, |
Tha | Kis | Hasin | Ka
Zara | Haath | Dil | Pe | Rakh | Ke, |
Humen | Dijiye | Jawaab

Aapke Kamre Mein…

ANTARA 4:

Dil | Mil | Gaye |
P | P | GP

To | Hum | Khil | Gaye
P | P | P | GP

Ke | Dil | Dil | Mile |
P | P | P | GP

Jahan | Mein | Kabhu | Kabhu
P P | P | N D | P G

Zu zu | Zuzu
N D | P G

Are | Haan | Haan, |
G G | M | M

Are | Haan | Haan
MM | MP | PG

Are | Haan | Haan…
GG | {MPD} | M…D…

Are | Wah | Wah
S’S’ | n | nd…

Dil | Mil | Gaye…

Yaa ro | Ke | Li ye | Haa
G M | P | D DN | N

Hai | Meri | Dua | Haa
G | M P | D DN | N

Aa | Jaa ye | Woh | Din, |
G । M P । DN । D

Gale | Mil ke | Beete | Ja wa ni
P P । PDP M । D D । D d G

Tum ko | Bhi | Mile | Haa
G M | P | D DN | N

Din | Bahaar | Ka | Haa
G । M P D । DN | N

Raat | Bahaar | Ki,
G । M P D । DN

Yunhi | Jhoo me | Yeh | Zind gani
D P । PDP M । D । DD d G

Dil Mil Gaye…

Aaaa…
G… M P…
D… P… M G…

Dum | Maro | Dum
G । M P । GP….

Mit | Jaaye | Gum
GG । M P । G P…

Bolo | Subah | Sham
G R । G M । GM…

Hare | Krishna | Hare | Ram
P M । P M । P M । G….

Laa laa laa…
G… M P…
D… P… M G…

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note

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