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Sargam notations for song “Tum mujhe Bhool bhi jao…”

Singers : Sudha Malhotra, Mukesh
Lyricist : Sahir Ludhianvi,
Music Director : Sudha Malhotra,
Movie : Didi (1959)

Pitch : C

MUKHDA
Tum | mujhe | bhul | bhi | jaao |
S | S RG~SR | R~MM | M | M~G PM G~R

to | ye | hak | hai | tumako |
R | RD | DD | D~P | P PD D

Meri | baat | aur | hai |
D DS’ | S’ R’ | R’g’ RS’S’ | D

maine | to | mohabbat | ki | hai
D~n D~P | P | P DR’ S’N | P D | M G RGS

Tum | mujhe | bhul | bhi | jaao |
S | S RG~SR | R~MM | M | M~G PM G~R

to | ye | hak | hai | tumako |
R | RD | DD | DP MP S’DS’D | P M M

ANTARA 1:

Mere | dil | ki | mere | jajbaat | ki |
M M | PDM | M | M M | MM M~G PM G | R

qimat | kya | hai
RG M MS’ | N~D | D

Ulajhe | ulajhe | se | khayaalaat | ki |
D D | D D nDn | D | P P d~P d~P | G

qimat | kya | hai
GP D DS’ | P~M | M

Mainne | kyon | pyaar | kiya |
S’ S’ | S’~N | R’ R’ | R’R’

tumane | n | kyon | pyaar | kiya
R'(g’)R’ S’ | S’~N | D S’ | DS’R’G’R’ | R’R’

In | pareshaan | sawaalaat | ki |
R’ | R’M’ M’~R’ R’~S’ S’ | DD~n D~P P | P

qimat | kya | hai
P D DS’ | D~P | M G RGS

Tum | jo | ye | bhi | na | bataao |
S | S RG~SR | R~MM | M | M~G PM G~R

to | ye | hak | hai | tumako |
R | RD | DD | D~P | P PD D

Meri | baat | aur | hai |
D DS’ | S’ R’ | R’g’ RS’S’ | D

maine | to | mohabbat | ki | hai
D~n D~P | P | P DR’ S’N | P D | M G RGS

Tum | mujhe | bhul | bhi | jaao |
S | S RG~SR | R~MM | M | M~G PM G~R

to | ye | hak | hai | tumako |
R | RD | DD | DP MP S’DS’D | P M M

ANTARA 2:

Zindagi | sirf | mohabbat | nahin |
S’ S’ S’ | N S’ N | D Dn nR’ | R’ R’

kuchh | aur | bhi | hai
G’P’ | G’R’S’ S’ | N | S’ nS’~D

Zulf-o-rukhasaar | ki | jannat | nahin |
S’S’ S’S’ NS’N | D | Dn nR’ | R’ R’

kuchh | aur | bhi | hai
G’P’ | G’R’S’ S’ | N | S’

Bhukh | aur | pyaas | ki |
R’ R’ | R’ | R’ R’ | R’

maari | hui | is | duniya | men |
D S’ S’R’g’ | R’~S’ | S’S’ | NS’R’S’ | n D PD

Ishq | hi | ek | haqiqat | nahin |
D n | n R’ | S’ S’ | S’S’ S’P | P P

kuchh | aur | bhi | hai
P D | D N S’D | P | M G RGS

Tum | agar | ankh | churaao |
S | S RG~SR | R~MM | M M~G PM G~R

to | ye | hak | hai | tumako |
R | RD | DD | D~P | P PD D

Mainne | tum | se | hi | nahin |
D DS’ | S’S’ R’ | R’g’R | S’ | D Dn

sab | se | mohabbat | ki | hai
D P | P | P DR’ S’N | P D | M G RGS

ANTARA 3:
(Same notations of 1st Antara)

Tumako | duniya | ke | gm-o-dard | se |
furasat | na | sahi |
Sabase | ulfat | sahi | mujhase | hi |
mohabbat | na | sahi |
Main | tumhaari | hun | yahi |
mere | liye | kya | kam | hai
Tum | mere | ho | ke | raho |
ye | meri | qismat | n | sahi |
Aur | bhi | dil | ko | jalaao |
to | ye | hak | hai | tumako |
Meri | baat | aur | hai |
mainne | to | mohabbat | ki | hai |

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
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