Deewani Deewani Deewana Tera Ho Gaya

September 16, 2024
1990-99, Anjan, Duet, Hindi, Lata Mangeshkar, Romantic, S P Balasubramanian, Sargam
1991, Manisha Koirala

Sargam notations for song “Diwani Diwani Diwana Tera Ho Gaya…”

Singers : S P Balasubramanian, Lata Mangeshkar
Lyrics: Anjan
Music: Bappi Lahiri
Movie : First Love Letter (1991)

Pitch : D#

PRELUDE:

Flute:
MM M | PD | P D…

O…O…O…
MPD | PDS’ | DP | DS’DP | D…

Flute:
PD | D(N)D | P M | P…M R…

O…O…O…
PM | PD | PMPM | MP | MR..

Flute:
R RP | P P | P DP | MP | D ND | P DP | M…

Sajna…..Sajna…
D S’ r’… S’ D S’….

Violins:
D S’ r’… S’ D S’….
D P D… P M R…
P…M…

Flute: (x2)
M P | M P | M n | DnPD
M P | M P | M S’ | NS’DN
P D | P D | PR’
M P | M P | MM…

MUKHDA:

O..O.. O..O..|| Aaa..Aaa.
DP | DS’ | DPM || DP | DS’ | DPM

jab | se | tu | dil | me | samai
M^M^ | P | M^ | R~S | S | R P….~M

jab | se | tu | dil | me | samai
M^ D | P | M^ | R~S | S | R P….~M

Flute:
{PDPMD} | (P)DD D(N)DP PP P(D)PM | M M~R RP P(D)P PM M…

aayi | teri | baho | me | aayi |
M^M^ | P M^ | R~S S | R | P….~M

aayi | teri | baho | me | aayi |
M^ D | P M^ | R~S S | R | PM DP….~M

Sajna…..Sajna… | Ho…o..
D S’ r’… S’ D S’….~P | P DS’ PDPM

INTERLUDE:
Banjo:
M PD | MP…M | RM S (x2)
,N SR | S R… P | M R S ,N | S…S…S…

Violins:
D S’ r’… | S’ DP (x2)
D S’ | M P D…P | M r | r P M….

Flute: (x2)
M P | M P | M n | DnPD
M P | M P | M S’ | NS’DN
P D | P D | PR’
M P | M P | MM…

Banjo:
M D n S’

ANTARA 1:

Jab | se | mili | tu |
D D | n | S’ N S'(R’)S’ | nS’~D

tere | siwa | mujhe |
D n | S’ R’… | n P

kuch | bhi | raha | nahi | yad
P D | n | P PD | n R’ | S’… {nS’R’S’S’n}

Music:
PD PD PDn P | MP MP MPD M

Hoo… |
(N)S’…nD |

Jab | se | mili | tu |
D D | n | S’ N S'(R’)S’ | nS’~D

tere | siwa | mujhe |
D n | S’ R’… | n P

kuch | bhi | raha | nahi | yad
P D | n | P PD | n R’ | S’… {nS’R’S’S’n}

teri | hi | bato | me |
D n | S’ | N S'(R’)S’ nS’ | D

teri | hi | yado | me |
D n | S’ | R’…n | P

ab | to | dhale | din | rat
P D | n | P PD | n R’ | S’…

chahat | meri | tu |
P D | P D | P

rahat | meri | tu |
P D | P D | P

kismat | meri | hai | tu
M^ P | M^ P | M^ | M^

janmo | tak | jiske |
P D | P | D P

sapne | sajau |
P D | P D P

sapna | wahi | hai | tu |
M^ P | M^ P | M^ | M^

Sajni…sajni…
D S’ r’… S’ D S’….~P | P DS’ PDPM

INTERLUDE:
Banjo+Sitar
MPD | MPD | MP | MP MP
RMP | RMP | RM | RM RM

Flute:
DD DD | d…D N | D…. {PPDPMPD}
MP DS’ r’… {S’r’M’}
M’S’ r’S’ S’…~P D(N)DP M

M P | M P | M n | DnPD
M P | M P | M S’ | NS’DN
P D | P D | PR’
M P | M P | MM…

Ooo…Oooo… + Violins:
DS’r’…S’DP (x2)
D P | MP DP | M S r P M…

Sitars:
MMM | RRR

Flute:
MMP | MMP | MMP | MMP

ANTARA 2:
(same notations)

CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note