Sawan Aaye Ya Na

Singers : Asha Bhosle, Mohammed Rafi
Music Director : Naushad Ali
Lyrics by : Shakeel Badayuni
Movie : Dil Diya Dard Liya (1966)

Raag : Brindavani Sarang

Tip: practice playing just the Aaroh and Avroh of Raag Brindavani Sarang for couple of times. You will get the flavour of this song in that itself and then you’ll be able to correlate these notaions easily.

MUKHDA:

Saawan | aaye |
P…PP | P~NM PS'(n)S’… |

Ya | na | aaye |
n~P | P | M(P)MR~S

jiya | Jab | jhoome |
S~M~R | R(P)M | Mn~P P~S’~N~S’

saawan | hai
n~P Mn~PM | R…(S)R MM..

Saawan aaye…

ANTARA 1:

Taar | mile | jab |
M~R M | M P…| P P

dil | se | dil | ke
R M | P M | R R | S

Wahi | samay | man | bhavan | hai
MP~N | N N~S’ | SS’ | S’~NS'(R’)S | n~P

Wahi | samay | man | bhavan |
P P~R’ | R’ R’~S’ | S’S’ | S’ S’S’

bhavan | hai
{NS’R’S’nPM} | {PnPMRSR}

Saawan | aaye…
P… PP | PnM P…

INTERLUDE:

Ni sa | re ma | re sa | re ma pa
N S | R M | R S | R M P

Re ma | pa ni | pa ma | pa ni sa
R M | P n | P M | P n S’

Aaa….
PP nn S’S’ n…S’~P

ANTARA 2:

Jab | se | piya | tu |
P n | M | PS’ | S’~n

naino | me | aaya
P~n P | M | P…P

Prem | ke | rang | main |
M PM | R | M…M | M~R

rach | gayi | kaya
R M | R n | S…S

Baago | me | ban | main
P nM | P | S’ | S’~n

Neel | gagan | main
P~n P | M P… | P

sab | me Hai | tere |
M P | M | R | M…M~R

roop | ki | chaya
R M R | n | S…S

Tu | hai | mere |
M~R | M P | P P

sang | to | har | dam
R M | P nPM | R R | S…

Khushi | ki | aawan | aawan
P P~R’ | R’ | R’~S’ S’S’ | S’ S’S’

aawan | hai
{NS’R’S’nPM} | {PnPMRSR}

Saawan | aaye…
P… PP | PnM P…

INTERLUDE:

Ni sa ni sa | re ma pa
NS NS | R M P

Pa ma re ma | pa sa niaa
PM RM | P S n

Aaaa…
(N)S'(N)S’ ~n~PM
R~S R M P

ANTARA 3:

Aankhiyan | mazire |
MP R | M P P

man | ek | tara
NN | NS’ | N~P P

In | me | baaje |
RM | SR | R~M…M

naam | tihara
P~NS’ | S’ N~P P

Hanste | gaate |
MP R | M P P

jeevan | beete
N NS’ | N~P P

Anth | na | ho | ye |
R~MS | R | R… | M

geet | hamara
{MPDNS’}n | MM…~S

Mausam | aaya |
R MM | P…P

sukh | pa wan | ka
R M | {PnPM} RR | S

Dukhon | ki | javan | javan
P P~R’ | R’ | R’~S’ S’S’ | S’ S’S’

javan | hai
{NS’R’S’nPM} | {PnPMRSR}

Saawan | aaye…

CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note