Doli me bithai ke kahar

Sargam of an enchanting song Doli me bithai ke kahar
Singer : S D Burman
Lyrics : Anand Bakshi
Music Director : R D Burman
Movie : Amar Prem (1972)

Flute used for notations : C#

ho | rama | re, | ho o | rama…a
S’ | NS | D~S NS~D | D N(R)S | ND…NP

Flute interlude :
(D)N…DP MD PMG

Guitar interlude :
SS GG MM GG | SS GG MM G

doli | me | bithai | ke | kahar
SS | G | MPD | n… | DP…MPG

Guitar interlude :
SS GG MM GG | SS GG MM G

doli | me | bithai | ke | kahar
SS | G | MPD | nDn… | DP…MPG

lae | mohe | sajana | ke | dvar
MP | MGRS | GGM… | M | G~S g~S

o …
M…{MGRS}

doli | me | bithai | ke | kahar
SS | G | MPD | nSn… | DP…

[repeat for following lines…]
bite din khushiyo ke char,
deke dukh man ko hajar
o doli me bithai ke kahar

mar | ke | nikalana…a | tha,… O
MP | N | NSND… DNSN | S’… NS(N)D

mar ke nikalana tha
MP | N | NSRS S | S

ghar | se | sanvariya | ke
N | S | RSNP~n D~P | {DPM}

jite | ji | nikalana | pada
MP | P | DNSN | DP{PDPD}

phulo | jaise | pavo | me
MP | NN | R’~S | SS

pad | gae | chhale re
N | SRS | NPN DP{DPM}

kanto | pe | jo chalana pada
MP | P | D | NSN | DP{PDPD}

patajhad, | o | ban | gai | patajhad,
MPM~GG | P MP M~G | MPM~GG

o ban gai patajhad
(P)n | nn | n~D | PMPMGS

bairan | bahar,
GM | MG~S g~S

o …
M…{MGRS}

doli me bithai ke kahar

CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note