Sargam notations for the evergreen romantic old Hindi song ‘Pyar Diwana Hota Hai’. Took me a while to produce Sargam notes for this song including the Prelude and Interlude music pieces.  For this song also, I started with it ‘Antara’ and then built up other notes on the lyrics.  I used C# flute for the purpose.

Singer : Kishore Kumar
Lyricist : Anand Bakshi
Music : R D Burman
Movie : Kati Patang (1970)

PRELUDE:
Piano:

S D | S N D P M G
S R(G)RS P | S R(G)RS D | G MPMR n

Piano:
nDPMGRS

MUKHDA:
Pyaar | diwaana | hota | hai
G | P G(M)G G~S | R RM | R~N
mastaana | hota | hai
nSG | RGM | G
Har | khushi | se | har | gam | se
G | PG(M)G | G~S | R | RM | R
begaana | hota | hai
n S G | R S | S

INTERLUDE:
Violins:
SSR|GD|GDD|NS|DGS|MGR

Piano:
DPM|GD|GDG|MD|MDM

Violins:
GDN | SNDP |MGP

ANTARA 1:
Shama | kahe |parawaane | se
G MP | G MP | P P P | P
pare | chala | ja
G PG | P Dn | D..
Meri | tarah | jal | jaaega,
n D P | n D P | P | P P P P
yahaan | nahi, | aa
R RGR | G M | G…M{RGR}S

Wo | nahin | sunta,
G | P G | S R
us ko | jal | jaana | hota | hai
R M R | n | S G | R(G)M | G
Har | khushi | se | har | gam | se
G | P G (M)G | G~S | R | R M | R
begaana | hota | hai
n S G | R S | S

ANTARA 2:
(Apply same notations of 1st Antara)
rahe koee sau paradon me,
dare sharam se
najar ajee laakh churaye,
koee sanam se
aa hee jaataa hain jis pe,
dil aanaa hotaa hain

ANTARA 3:
(Apply same notations of 1st Antara)
suno kisee shaayar ne ye,
kahaa bahot khub
manaa kare duniyaan lekin
mere mehaboob
wo chhalak jaataa hai,
jo paimaanaa hotaa hain

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note

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