Man Tera Mandir Ankhe Diya Baati

Sargam (notations) for Bhajan / Arti – Man Tera Mandir Aankhen Diyaa Bati

Mann | tera | mandir
D | DD | D DD

aankhein | diya | bati
D N | D d | D N S

Hothon | ki | hai | thaliyan
RR | R | (G)R | R~S SN

bol | phul | bati
R~S | N~D | DD

Rom | rom | jeeba
G D | G D | D D

tera | naam | pukarti
D D | {DNSND} | d DN S

Aarti | ho | maiya | aarti
N SN DD | S | SS | N SN DD

Hey | mahalaksha | maa | gauri
S | SS S S | S | N SN D

Tu | apni | aap | pehchaney
N | RR | SND | D ND

Teri | kimat | tu | hi | jane
NS | SS | S | S | N SN D

Tu | bura | bhala | pehchaney
N | R R | R S | N SN D

Yeh | kehtein | din | aur | ratein
R | R R | R | R~S | G R R S

Teri | likhi | na | jaye | batein
S S | S S | S | S N | R S

Koi | mane | ya | na | mane
R | R R | R | R~S | G R (G)R S

Hum | bhakt | tere | deewane
S | S S | S N | D N D

Tere | panv | saari | duniya | padharti
R R | R~S | R G | {RSNR} S | SN DN DD

Mann tera mandir…

CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note