Kaash Aisa Koi Manzar Hota

Singer : Hariharan
Lyricist : Tahir Faraz, ,
Music Director : Hariharan,
Album : Kaash (2002)
Flute used for producing Sargam : E Bass Scale

This is one of the best gazals of Hariharan. It is based on raag Malgunji. which generates from Thaat Kafi. In this raag both forms of Gandhar (G; g) and Nishad (N, n) are used. I am writing down the basic notations for this gazal without digging deep into the “Harkats” that Hariharan ji has rendered into it. I am sure once you get a hang of this gazal with these notations, you will be further able to improvise and bring in those “Harkats” into your playing.

STHAYI:

Kaash | aisa | koi
G G | M~GP M~R~S~,n | ,nS

mnzar | hota
,D ,n | S~M G

Mere | kaandhe | pe
GM | G~R P… | P

tera | sar | hota
GP PN D(N)D~P | MG(M)G~R | g R

Kash…

ANTARA 1

Jama | karta | jo | main
S’ NS’~n | PM P… | P | P

aye | hue | sng
G M n…~P | P~S’n | PMP

Sar | chhupaane | ke | liye
G | G M~GP M~R~S~,n | ,n | S~,n~,D

ghar | hota
,n… | M G

Mere | kaandhe | pe
GM | G~R P… | P

tera | sar | hota
GP PN D(N)D~P | MG(M)G~R | g R

Kash…

ANTARA 2

Is | bulndi | pe
S’ | n PM P… | P

bahot | tanha | hun
GG M | n…~P~S’ n~P… | P

tanha | hun
g…,n{SRG} S | S

bahot | tanha | hun
,P,n S | G…GMPGM G | G

tanha | tanha
M…. G | S ,n ,P {,P,nSRGM} G

Is | bulndi | pe
S’ | n PM P… | P

bahot | tanha | hun
P G M | n…~P~S’ n~P… | M..MPMG

Kaash | main | sab | ke
G G | M~GP | M~R~S~,n | ,n

baraabar | hota
S~,n~,D ,n… | M G

Mere | kaandhe | pe
GM | G~R P… | P

tera | sar | hota
GP PN D(N)D~P | MG(M)G~R | g R

Kash…

ANTARA 3
Usane ulajha diya
duniya men mujhe
Warana ek aur
kalndar hota

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note

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