Hum honge kamyab

Hum | Honge | kamyab
GM | PP | P~DD P MG

Hum | honge | kamyab
GM | PP | P~DD P MG

Hum | Honge | kamyab
GM | PP | D N S

ek | din
S’~R’S’ | N…D~NDP

Ho ho | man | me | hai | viswas
D N | S’ | S’ | N | D P

pura | hai | viswas
D D | P | M G

hum | honge | kamyab | ekdin
GM | PP | S MG | RR S

CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note

advt.

advt.

2 Responses

Daya Gargeshukl says:

May 7, 2020 at 3:55 pm

Sir, you are doing wonderful job to make divine Bansuri more popular amongst Bhartiyas and others.

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Prem Singh says:

November 22, 2021 at 10:58 am

Very nice & beautiful Devosnaiol song.love very much

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