Hanuman Chalisa (Different Tune)

March 6, 2021
Devotional, Hindi, Sargam

Watch this video by Bhakti Marg channel on Youtube to listen to the unconventional tune of this devotional song.ttps://www.youtube.com/watch?v=TG1mN9458Ls

Flute used for notations : C#

The tune of this song (as in the video above) has basically 5 parts which I have marked as: Opening, Change1, Change2, Change3 and Change4.

After the opening part, you have to follow this pattern for the rest of the song : Change 1, 2, 3, 4, 2

Komal Nishad (n) is used for just once in the second line of every 3rd change.

Opening ========

Sri | Guru | Charan | Saroj | Raj |
S | S S | ,P SS | S S R M | G R…(G)R

Nij | Man | Mukur | Sudhari, |
,P S | S S | S R M | G R…(G)R

Jo | Dayaku | Phal | Chari |
,P S | S S R | M G | R… R(G)R

Bal | Buddhi | Vidya | Dehu | Mohi |
P | P P | P DP | M M | MM…P

(Change 1 ) ========>

Jai | Hanuman | gyan | gun | sagar |
,P S | S S SRM | G R R | RR | R(G)R S

Jai | Kapis | tihun | lok | ujagar |
,P S | S S…R | M G | R R | R R(G)R S

Ram | doot | atulit | bal | dhama |
,P SS | S R | M G RR | RR | R(G)R S

(Change 2 ) ========>

Kumati | nivar | sumati | ke | sangi |
G G G | GG R M | G RG | R S | S S

(Change 3 ) ========>

Hath | vajra | aur | dhvaja | viraje |
M M | MM | M G | P P | P P P

Shankar | suvan | kesri | nandan |
M MM | MMM | P PP | P P

Tej | pratap | maha | jag | vandan |
D D | D D n D | PM | D P | P P

(Change 4 ) ========>

Vidyavan | guni | ati | chatur |
S’ S’ S’N | P S’ | S’ S’ | S’ N P

Ram | kaj | karibe | ko | aatur |
S’ S’ | S’ S’| N P S’ | S’ | S’ N P

Prabu | charit | sunibe | ko | rasiya |
S’ S’ | S’ S’S’ | N P S’ | S’ | S’ S’ N P

Ram | Lakhan | Sita | man | basiya |
S’ S’ | S’ S’ S’| N P S’ | S’S’ | S’S’S’

(Change 2 ) ========>

Vikat | roop | dhari | lank | jarava |
G GG | G R | M G | R G R | S S S

Ramachandra | ke | kaj | sanvare |
G G G R | M G | R G R | S S S

(Change 1 ) ========>

(Change 2 ) ========>

(Change 3 ) ========>

(Change 4 ) ========>

(Change 2 ) ========>

(Change 1 ) ========>

Ram | dwaare | tum | rakhvare |
Hoat | na | agya | binu | paisare |
Sub | sukh | lahae | tumhari | sar | na |
Tum | rakshak | kahu | ko | dar | naa |

(Change 2 ) ========>

(Change 3 ) ========>

(Change 4 ) ========>

Sab | par | Ram | tapasvee | raja |
Tin | ke | kaj | sakal | Tum | saja |
Aur | manorath | jo | koi | lavai |
Soi | amit | jeevan | phal | pavai |

(Change 2 ) ========>

(Change 1 ) ========>

(Change 2 ) ========>

(Change 3 ) ========>

(Change 4 ) ========>

(Change 2 ) ========>

(Change 1 ) ========>

(Change 2 ) ========>

Sri ram jai ram jai jai ram…

CAPITAL LETTERS = Shuddh Swars (Natural Notes)
small letters = Komal Swars (Flat Notes)
M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
Letter/Alphabet PRECEDED BY a ” . ” [full stop] or a ” , ” [comma] = Low Octave Note/Softer blow on flute
Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
Notes in { } = “murki” have to be played very fast without any pause
A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
A “~” between two Notes = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
Few “….” (dots) after a note = Play and hold that note