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Sargam notations for the Devotional music – Bloom: Sounds Of Isha.

Following notations can be co-related with the timelines of this video :

0 – 0:15
(R)S ,N,N ,P ,D S RG….RS
S RG R | S RG R | S ,N…,D,P

0:16 – 0:24
,P,D | RSRS ,N | ,P,D….

0:25 – 0:43
S RG…. RS | SRGPDS’…{SRG’} R S N…{DP}
,P ,D S’ {R’G’}…R’ | S’ N P D…

0:44 – 1:01
P D S’ {R’G’}…R’ S’ N…~R’…G’ S’ N… PD
PD (R)S’… N P D…N P M{GR} G…M R… S,N {,D,P}

1:02 – 1:12
,P ,D S’ {R’G’}…R’ | S’ N P D…
,P ,D S~R S~R ,N ,P ,D….

1:13 – 1:51
(Guitar)
,P,P ,D ,D | (,D)S ,N,D,P | ,D,D

1:52 – 2:11
S RG | RG…. (M)G | S ,N{,D,P} | ,D… ,D

2:12 – 2:18
S RG | RG…. P D (R)S… N P D…

2:19 – 2:25
PMR G… (M)G | S ,N ,P ,D….

2:26 – 2:31
(Guitar)
,P,P ,D ,D | (,D)S ,N,D,P | ,D,D

2:32 – 2:38
SR SR G…(M)G | S ,N ,P ,D….

2:39 – 2:50
SRGP (D)P…D S’ NDP D…(N)D
PMGR G…(M)G | S ,N ,D ,P ,D….

2:51 – 3:25
(Guitar + Sitar)
,P,P ,D ,D | (,D)S ,N,D,P | ,D,D

3:26 – 3:53
S RG | RG…. RG RG RG (M)G | S,N,D
,P ,D,D | R~S R~S R~S | ,N,D,P

– – 3:53
,P,D S S S | SRG…R S ,N… S,N,P
,P,D RS (R)S ,N ,NS ,N ,P ,D…

3:54 – 4:13
SRG R G… S,N,P | SR SRG R G… S,N,P
SRG (R)G… PDR’S’ N…S’ NN P

4:14 – 4:26
PD R’R’…G’ S’ NN P
PD R’~S’ NS NDP
P DP R’S’ R’S’ NS’ND S’ N DP D…

4:27 – 4:40
S’ NN P (R’)S’ N P
S’ NN P PD(R’)S’ NN DP
PD S’S’ R’G’ R’~G’ R’~G’
S’N…S’ NNDP

4:41 – 4:51
PD PD R’ S’N…S’ NNDP
R’S’ND S’NDP D…N
PMGR G…M S,N,N ,P,D…

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note
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