Singers : Noor Jehan – Surendra
Lyricist : Tanvir Naqvi
Music Director : Naushad
Movie : Anmol Ghadi (1946)

Flute used for notations : C#

STHAYI:

Awaaz | de | kahaan | hai, |
S… R~M M | P{DPD} | P D(n)D | PM…D

duniya | meri | jawaan | hai
P DM | M PS’ | D P | M…

Abaad | mere | dil | men |
M P D | n S’~n | nR’ | S’…~n

ummid | ka | jahaan | hai, |
n S’~n | D P | M MP | P D…

duniya | meri | jawaan | hai
P DM | M PS’ | D P | M…

Awaaz de kahan hai…

ANTARA 1:

A | raat | ja | rahi | hai | yun |
D~S’ | D~S’ D | PM | M M | M…| D

jaise | chaandani | ki |
R~M M | M P R | S |

baaraat | ja | rahi | hai
S… R~MM | M Pd | P M | M

Chalane | ko | ab | falak | se |
M P | D | n S’ | n nR’ | S’R’nS’…n |

taaron | ka | kaarawaan | hai
n S’ | n | D…P M MP | P D…

Aise | men | tu | kahaan | hai |
P D | M | P S’ | D P | M… PMD

duniya | meri | jawaan | hai
P DM | M PS’ | D P | M…

Awaaz de kahan hai…

INTERLUDE MUSIC:
S’…. nD S’ | S’n D…|
D… MP d… | P M D….| ~d P M

ANTARA 2:

Kismat | pe | chha | rahi | hai | kyon |
S R | S | S~D~S | S RM | M…| D

raat | ki | siyahi
R MM | PDnS’ | nDP PD…

Kismat | pe | chha | rahi | hai | kyon |
M P | M | PMD | P M | M… | M

raat | ki | siyahi
R MM | M P | M GRS…

Wiraan | hain | meri | ninde, |
SR RM | MP | PD D M …| MP PDn…S’

taaron | se | le | gawaahi
D n | D | P D | M PM M

Barabaad | main | yahaan | hun, |
M P D | n S’ | S’ nR’ | S’R’nS’…n |

abaad | tu | kahaan | hai
n S’ n | D…P | M MP | P D…P

Bedard | asamaan | hai, |
P D M | P~S’~D P | M…PMD

duniya | meri | jawaan | hai
P DM | M PS’ | D P | M…

Awaaz de kahan hai…

How to read SARGAM
  • CAPITAL LETTERS Shuddh Swars (Natural Notes)
  • small letters Komal Swars (Flat Notes)
  • with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } “murki” have to be played very fast without any pause
  • A Note in ( ) “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note

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