Some Popular Raag in Indian Classical Music
Learn the basic concept of Raag in Hindustani Classical Music. The following introductions have been devised keeping in mind the level of understanding of beginners so that they do not get confused with the technical difficulties in learning Raag. The information given below is very basic and must be referred to as just guidelines. For thorough understanding of Raag, one must seek advice from a learned teacher.
RAAG AHIR BHAIRAV
Here is an easy tutorial for Raag Ahir Bhairav. Following is the very basic information on Raag Ahir Bhairav. For more information, you may like to explore more on the internet like tanarang.com where more information on Raag Ahir Bhairav is given in detail.
Thaat : Bhairav
Rass (Nature) : Vishad (Sad)
Jaati : Sampurna – Sampurna
Vikrit Swar : Komal Nishad (n) and Komal Rishabh (r)
Aroh (7 notes) : S r G M P D n S’
Avroh (7 notes) : S’ n D P M G r S
Vaadi Swar : M (Shuddh Madhyam)
Samvaadi Swar : S (Shadaj)
SONGS BASED ON RAAG AHIR BHAIRAV
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raag Ahir Bhairav may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
Following are the Sargam notations of few of the songs (available on this site) based on Raag Ahir Bhairav:
Ka karoon sajni aye na balam
Meri veena tum bin roye
Solah baras ki bali umar ko salam
Ab tere bin jee lenge hum
Waqt karta jo wafa aap hamare hote
Mann anand anand chhayo
RAAG BAGESHRI
Following is the very basic information on Raag Bageshri. For more information, you may like to explore more on the internet like wikipedia where more information on Raag Bageshri is given in detail.
Thaat : Kafi
Rass (Nature) : Virah Rass (Sadness)
Jaati : Audav – Sampurna
Vikrit Swar : Komal Gandhar (g), Komal Nishad (n)
Aroh (5 notes) : S g M D n S’
Avroh (7 notes) : S’ n D P M g R S
Vaadi Swar : M (Shuddh Madhyam)
Samvaadi Swar : S (Shadaj)
Pakad : D n S | M | M P D | M g R S
SONGS BASED ON RAAG BAGESHRI
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raag Bageshri may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
Sargam of the following song is available on this site :
Aja re mai to kab se
Jaag dard-e-ishq jaag
Kaun aya mere man ke dware
Radha na bole na bole
Yuhi tum mujhse bat karti ho
Dur koi gaye dhun ye sunaye
RAAG BRINDABANI SARANG
Raag Brindabani Sarang is a beautiful and popular raga in Hindustani classical music. It is believed to have originated from the Brindavan area of Uttar Pradesh, India, and is commonly associated with the spring season. The raga is characterized by its serene and romantic mood, with a focus on the lower and middle octaves of the scale.
This is a very basic information for beginners on Raag Brindavani Sarang or otherwise called Raag Sarang. Detailed information can be found on other resources like Tanarang.com.
Thaat : Kaafi. Learn 10 Thaats of Hindustani Classical Music in an easy method.
Rass (Nature) : Shringar Rass (Romantic)
Jaati : Audav – Audav
Aroh (5 notes) : S R M P N S’
Avroh (5 notes) : S’ n P M R S (Komal Nishad (n) in desendence)
Vaadi Swar : R (Rishabh)
Samvaadi Swar : P (Pancham)
Pakad : N S R M | R S R M P… | R M P n | P M P n S’
The mood or ras of Raag Brindabani Sarang is said to be Shringar or romantic love, and it is often used to express the emotions of separation and longing in love. The raga is traditionally performed during noon, and it is associated with the summer season.
SONGS BASED ON RAAG BRINDABANI SARANG
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raag Brindavani Sarang may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
Sawan Aye Ya Na Aye (Dil Diya Dard Liya)
Haye re haye ye tere hath me mera hath (Kashmir Ki Kali)
Jadugar Sayiyan Chhoro Mori Baiyan (Naagin)
Jhooti Mooti Mitwa (Rudali)
Tumhare bin jee na lage ghar me (Bhumika)
Ghoomar Ghoomar (Padmavat)
Jag Ghumiya (Sultan)
Tharki Chhokro (P.K.)
Sargam notations of following song based on Raag Brindavani Sarang is available on this website:
RAAG BHAIRAV
Thaat : Bhairav. Learn 10 Thaats of HCM in an easy method.
Rass (Nature) : Virah, Bhakti Rass (Sadness, Devotional)
Jaati : Sampoorn
Vikrit Swar : Komal Rishabh (r), Komal Dhaivat (d)
Aroh (7 notes) : S r G M P d N S’
Avroh (7 notes) : S’ N d P M G r S
Vaadi Swar : d (Komal Dhaivat)
Samvaadi Swar : r (Komal Rishabh)
Pakad : G M d | d P | G M r | r S…
SONGS BASED ON RAAG BHAIRAV
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raag Bhairav may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
Mohe Bhul Gaye Sanvariya
Jaago, Mohan Pyare Jaago
Waqt Karta Jo Wafa
Meri Veena Tum Bin Roye
RAAG BHAIRAVI
Following is the very basic tutorial on Raag Bhairavi. This Raag uses all the 12 swars, hence, performers find it very suitable to do experiments. For more information, you may like to explore more on the internet like Chandrakantha where more information on Raag Bhairavi is given.
Thaat : Bhairavi
Rass (Nature) : Virah, Milaap (Sad, Joy)
Jaati : Sampurna – Sampurna
Vikrit Swar : r g d n
Aroh (7 notes) : S r g M P d n S’
Avroh (7 notes) : S n d P M g r S’
Vaadi Swar : M (Shuddh Madhyam)
Samvaadi Swar : S (Shadaj)
Pakad : M g | S r S | d n S
Time for playing : Morning.
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raags Bahiravi may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
Sargam of following Songs on Raag Bhairavi are available on this site:
Aye mere pyare watan
Kar chale hum fida (Mishr Bhairavi)
Jaha dal dal par sone ki
Mera karma tu (dil diya hai)
Aaya hai mujhe phir yaad wo zalim
Aye mere dil kahi aur chal
Dost dost n raha
Ja re jare ud ja re panchhi
Jeena yaha marna yaha
Jiya jale jaan jale
Kisi baat par mai kisi se khafa hu
Laga chunri me daag
Meethe bol bole
Nache man more magan trikta dhigi dhigi
Pyar hua ikrar hua hai
RAAG BHIMPALASI
Following is the very basic tutorial on Raag Bhimpalasi. For more information, you may like to explore more on the internet like wikipedia where more information on Raag Bhimplasi is given in detail.
Thaat : Kafi
Rass (Nature) : Sringar Rass (Romantic)
Jaati : Audav – Sampurna
Vikrit Swar : Komal Nishad (n) and Komal Gandhar (g)
Aroh (5 notes) : n S g M P
Avroh (7 notes) : S n D P M g R S’
Vaadi Swar : M (Shuddh Madhyam)
Samvaadi Swar : S (Shadaj)
Pakad : ,n S g M P | n D P | S’ | n D P | M g R S…
Time for playing : Afternoon
SONGS BASED ON RAAG BHIMPALASI
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raags Bhimpalasi may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
RAAG BHUPALI
Following is the very basic information on Raag Bhupali, also known as Bhoop, Bhopali, or Bhoopali. For more information, you may like to explore more on the internet like Tanarang.com where more details on Raag Bhupali is given.
Thaat : Kalyan
Rass (Nature) : Bhakti Rass (Devotional)
Jaati : Audav – Audav
Vikrit Swar : None
Varjit Swar : Madhyam (M) and Nishad (N)
Aroh (5 notes) : S R G P D S’
Avroh (5 notes) : S’ D P G R S
Vaadi Swar : G (Shuddh Gandhar)
Samvaadi Swar : D (Shuddh Dhaiwat)
Pakad : G R G | P G | D P | S’ D P G | P G R G | G R S
Time for playing : Evening ( 6 – 9 pm)
SONGS BASED ON RAAG BHUPALI
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raag Bhuplai may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
Sargam notations of following songs based on Raag Bhupali are available on this site:
Chanda hai tu mera suraj hai tu
Dekha ek khwab to ye
Gata rahe mera dil
Hum tumse na kucch keh paye
In ankhon ki masti ke
Jyoti Kalash Chhalke
Kanchi re kanchi re
Sayonara Sayonara
Zindagi dene wale sun
RAAG BIHAG
This is a very basic information for beginners on Raag Bihag. Detailed information can be found on other resources like Wikipedia.
Thaat : Bilaval. Learn 10 Thaats of Hindustani Classical Music in an easy method.
Rass (Nature) : Prem Rass (Romantic)
Jaati : Audav – Sampurna
Aroh (5 notes) : S G M P N S’
Avroh (7 notes) : S’ N D P M G R S
Vaadi Swar : G (Gandhar)
Samvaadi Swar : N (Nishad)
Pakad : N S G | G M G | PMP GMG | PM GM GR S…
SONGS BASED ON RAAG BIHAG
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raag Bihag may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
Sargam notations of following song based on Raag Bihag is available on this website:
Beeti na bitaayi raina
Koi gaata main so jaata
Tum to pyar ho sajni
Tu jaha jaha chalega mera saya
Zindagi ke safar mein guzar jaate hain
RAAG KIRWANI
Thaat : Not defined. Since this Raag belongs to Carnatic music and it contains Komal Gandhar and Komal Nishad, so, it does not fit into the 10 Thaats of Hindustani Classical music (HCM). Learn 10 Thaats of HCM in an easy method.
Rass (Nature) : Prem Rass (Romantic)
Jaati : Sampurna – Sampurna
Vikrit Swar : Komal Gandhar (g), Komal Dhaivat (d)
Aroh (7 notes) : S R g M P d N S’
Avroh (7 notes) : S’ N d P M g R S
Vaadi Swar : P (Pancham)
Samvaadi Swar : S (Shadaj)
Pakad : d P g | R S R | R g M P d P…
SONGS BASED ON RAAG KIRWANI
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raag Kirwani may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
Some of the popular songs based on this Raag :
Meri bhigi bhigi si
Ane wala pal
Aye husn e beparwah
O neend n mujhko
Apke pehlu me ake
Charag dil ka jalao
RAAG PAHADI
Following is the very basic tutorial on Raag Pahadi. As the name suggests, this raag belongs to mountains. Natives of mountains composed folk melodies in this Raag. For more information, you may like to explore more on the internet like soundofindia where more information on Raag Pahadi is given in detail.
Thaat : Bilawal
Rass (Nature) : Harsh, Virah Rass (Happy, Sad)
Jaati : Audav – Sampurna
Vikrit Swar : None
Aroh (5 notes) : S R G P D S’
Avroh (7 notes) : S N D P M G R S’
Vaadi Swar : P (Pancham)
Samvaadi Swar : S (Shadaj)
Pakad : S D | P D | M G | P D S…
Time for playing : Generally Evening, but not restricted.
SONGS BASED ON RAAG PAHADI
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raags Pahadi may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
Sargam of following Songs on Raag Pahadi are available on this site:
Aage bhi jane na tu
Aja re Aja re o mere dilbar aja
Chalo sajna jahan tak ghata chale
Chand si mehbooba ho meri kab
Chaudvin ka chaand ho
Dil men ik lahar si uthi hai abhi
Dil pukare aa re aa re are
Diwana mujhsa nahi
Ham aap ki aankhon mein is dil ko
Husn pahado ka
Janewalo zara mur ke dekho
Jeet hi lengi baazi hum tum
Jo wada kiya wo nibhana padega
Karwate badalte rahe
Kaun aya ke nigaho me chamak
Panchhi banun udti phirun
Phoolon ke rang se
Sawan ke jhule pade tum chale aao
Suhani Raat Dhal Chuki
Thaheriye hosh men aa lun to chale jaiyega
Tujhko pukare mera pyar
Tum mujhe bhool bhi jao
Tum Pukar Lo
Zulmi sang aankh ladi
RAAG SHIVRANJANI
Following is the very basic information on Raag Shivranjani. For more information, you may like to explore more on the internet like wikipedia where more information on Raag Shivranjani is given in detail.
Thaat : Kafi
Rass (Nature) : Virah Rass (Sad)
Jaati : Audav – Audav
Vikrit Swar : Komal Gandhar (g)
Varjit Swar : Madhyam (M) and Nishad (N)
Aroh (5 notes) : S R g P D S’
Avroh (5 notes) : S’ D P g R S
Vaadi Swar : P (Pancham)
Samvaadi Swar : S (Shadaj)
Pakad : R g P | D P g R | g S R D S
Time for playing : Late evening till Midnight
SONGS BASED ON RAAG SHIVRANJANI
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raag Shivranjani may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
Following are the Sargam notations of songs based on Raag Shivranjani, available on this site:
Awaz deke hame tum bulao
Baharo phool barsao
Dil ke jharoke me tujhko bitha kar
Hero theme tune
Jane kaha gaye wo din
Kahee deep jale kahee dil
Mere naina sawan bhado
O mere sanam
Rimjhim ke geet sawan gaye
Tere mere beech me
O sathi re tere bina bhi kya jeena
Tere mere beech me
Khabar Mori na Li ni re
Baharon phul barsao
Banake kyu bigada re
Dhak dhak karne laga
Tumse milkar na jane kyu
Dil ke jharokhe me
RAAG YAMAN
Following is the very basic information on Raag Yaman . For more information, you may like to explore more on the internet like wikipedia where more information on Raag Yaman is given in detail.
Thaat : Kalyan
Rass (Nature) : Bhakti Rass (Devotion)
Jaati : Sampurna – Sampurna
Vikrit Swar : Tivr Madhyam (M#)
Aroh (7 notes) : S R G M# P D N S’
Avroh (7 notes) : S’ N D P M# G R S
Vaadi Swar : G (Shuddh Gandhar)
Samvaadi Swar : N (Shuddh Nishad)
How is Raag Yaman different from Raag Yaman Kalyan?
SONGS BASED ON RAAG YAMAN
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raag Yaman may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.
Mausam hai ashiqana
Jab deep jale ana
Ansoo bhari hai
Chandan sa badan
Dil jo na keh saka
Seene me sulagte hai armaan
RAAG YAMAN KALYAN
This is a very basic information on Raag Yaman Kalyan for beginners. For more detailed information you may like to refer to resources like wikipedia.
Thaat : Kalyan
Rass (Nature) : Prem Rass (Romantic)
Jaati : Sampurna – Sampurna
Vikrit Swar : Tivr Madhyam (M#)
Aroh (7 notes) : S R G M P D N S’
Avroh (7 notes) : S’ N D P M# G R S
Vaadi Swar : G (Shuddh Gandhar)
Samvaadi Swar : N (Shuddh Nishad)
Pakad : N R G | R M P | M# P D | D N S’…
The difference between Raag Yaman and Raag Yaman Kalyan is :
In Raag Yaman, Madhyam is used only as Tivra M (M#)
In Raag Yaman Kalyan, both Madhyams – Shuddh (M) and Tivra (M#) are used.
SONGS BASED ON RAAG YAMAN KALYAN
DISCLAIMER: While Hindustani Classical Raags follow a set pattern of notes, the film songs based on Raag Yaman Kalyan may not necessarily follow every rule of this Raag. Composers take liberty to experiment with the notes and may deviate from the set pattern just to enhance the melody of the song.
Same is the case while jotting down the notations of songs. Hence, it is advised that you must not stop experimenting with the basic notations which are given in this website and must continue to improvise as per your convenience.