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Hum to udd gaye

Sargam notations of a Hindi Fusion song Hum to Udd gaye…

Singer, Writer and Composer : Ritviz

Album : Udd Gaye (2017)

Flute used for notations : G#

STHAYI:

Hum | toh | udd | gaye
S’~D | D | D~P | M S’~D

jab | tum | jhuke,
DD | D~P | M G

Tab | se | tum | nazar |
S’~D | D | D~P | M S’~D

mein | aa | ruke,
D | D~P | M G

Hum | toh | ho | gaye | zaman,
M | M | G | M | G | PM

Dheere | dheere | maala | maal,
M M | G M | G P | M

Ab | toh | hona | hai | wohi
M | M | GM | G | PD~n

jo | banaye | jahan,
D | P M G | P M

Hum | toh | ho | gaye | zaman,
Dheere | dheere | maala | maal,
Ab | toh | hona | hai | wohi
jo | banaye | jahan,

Hum | toh | udd | gaye | udd | gaye | udd | gaye.
n | n | n~D | P~S | S~n | D D | D | R~n

ANTARA 1:
[Repeat for notes of Sthayi following lines…]
Aisi | ajnabi | thi | aapse,
Ki | hum | se | na | kabhi | koi | aa | phasi,
Hum | toh | ho | gaye | zaman,
Dheere | dheere | maala | maal,
Ab | toh | hona | hai | wohi | jo | banaye | jahan,
Hum | toh | ho | gaye | zaman,
Dheere | dheere | maala | maal,
Ab | toh | hona | hai | wohi | jo | banaye | jahan,
Hum | toh | udd | gaye | udd | gaye | udd | gaye

ANTARA 2:

Hum | toh | hai | samaye,
M | P | D | D(S’)DP

Hum | toh | hai | zameen,
M | P | D | D(S’)D

Hum | se | na | kabhi,
n | n | n~D | M G

Hum | toh | hai | samaye…

Hum | toh | ho | gaye | zaman,
M | M | G | M~R | GM

Dheere | dheere | maala | maal,
M M | G M | R G | M

Hum | se | na | kabhi,
P | P | P~D | G M

Udd | gaye | udd | gaye
P | S’~D | P S’~D

Udd | gaye | udd | gaye
D P | M n | n D | M G

How to read SARGAM
  • CAPITAL LETTERS = Shuddh Swars (Natural Notes)
  • small letters = Komal Swars (Flat Notes)
  • M with # [hash] or ^ [exponent] = Tivra Madhyam (M# / M^)
  • Letter/Alphabet ONLY = Medium Pitch/Normal blow on flute
  • Letter/Alphabet PRECEDED BY a ” . ” [full stop] or  a ” , ” [comma] = Low Octave Note/Softer blow on flute
  • Letter/Alphabet FOLLOWED BY a ‘ [single quote] = High Octave Note/harder blow on flute
  • Notes in { } = “murki” have to be played very fast without any pause
  • A Note in ( ) = “kann swar” has to be just touched before moving on to the next note
  • A “~” between two Notes  = “meend”. That is, you have to glide from one note to another slowly to produce that wavy effect.
  • Few “….” (dots) after a note = Play and hold that note

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